Oddernod
@oddernod.bsky.social
Keyslinger. Curve operator. Pixel pusher.
Root beer lover.
Hockey fan.
CURRENT: Senior Creative Director | SPILLT
PAST: Imaginary Forces, Digital Kitchen, Blur, Pacific Rim, Transformers, Person of Interest.
Ryan Summers.
Root beer lover.
Hockey fan.
CURRENT: Senior Creative Director | SPILLT
PAST: Imaginary Forces, Digital Kitchen, Blur, Pacific Rim, Transformers, Person of Interest.
Ryan Summers.
One thing I love alongside animation and motion design is comics – what better way to immortalize your creative goals than to make a comic full of them? 😍
Here’s my totem to ‘25, full of what I want to work on and bring to life this year - anybody else want to make one?
Here’s my totem to ‘25, full of what I want to work on and bring to life this year - anybody else want to make one?
January 21, 2025 at 10:58 AM
One thing I love alongside animation and motion design is comics – what better way to immortalize your creative goals than to make a comic full of them? 😍
Here’s my totem to ‘25, full of what I want to work on and bring to life this year - anybody else want to make one?
Here’s my totem to ‘25, full of what I want to work on and bring to life this year - anybody else want to make one?
{ motion design } Have you seen DETROITERS over on Netflix?
It was one of my FAVORITE title sequences to direct because Tim & Sam were the best collaborators you could hope for.
It was their idea to do cel animation over footage of Detroit - and there was so much more animation in the first cut.
It was one of my FAVORITE title sequences to direct because Tim & Sam were the best collaborators you could hope for.
It was their idea to do cel animation over footage of Detroit - and there was so much more animation in the first cut.
November 13, 2024 at 1:46 PM
{ motion design } Have you seen DETROITERS over on Netflix?
It was one of my FAVORITE title sequences to direct because Tim & Sam were the best collaborators you could hope for.
It was their idea to do cel animation over footage of Detroit - and there was so much more animation in the first cut.
It was one of my FAVORITE title sequences to direct because Tim & Sam were the best collaborators you could hope for.
It was their idea to do cel animation over footage of Detroit - and there was so much more animation in the first cut.