Here is an alternate approach to world-dizing. I’m aiming for the Tears of the Kingdom Aesthetic Originating within the Zelda Anthology.

Expanding on the environmental context of my assignment three, here is a breakdown of my conceptual approach:
An environment in the distinctive, emotionally-charged art style of Paru Itagaki, explicitly referencing the atmospheric world of Beastars.

Lighting and Mood:
The primary illumination.

Assignment_Three_Pitch

Hello, All -

This is my pre-visualisation for the second assignment. Then “We’ll hit the ground running.”. Unfortunately, I do not have the resource, i.e. a PC. I’ll have the resource issue sorted by then, I.e. by the 13th of this month, if things go as planned.

Greetings, Mates -

Things have been rather slow since the PC mishap, I am however, still observing for Ideal assets; the coal is to begin working on assignment-1 no later than the 3rd of October.

Hello, All -

Here are quick updates on the current project. I haven’t officially begun due to technical unforeseen occurrences, although, I’ll begin working this Monday, by the graces’ of Jehovah God. In the meantime; here are some environmental assets I’ve been looking at.

Greetings, All -

Here is a bit of an update regarding project one. I haven’t begun to build my environment due to technical complications, I.e., not having received my PC. However, I have been looking into the resources on Fab. Here are Visual representations of those findings.

Greetings, All -

For my environment here is my thought process for the moment. I’m thinking of creating ominous fog within a swamp/forest terrain. I’ll keep it bright and inviting, while maintaining the atmosphere’s clouded and foggy to create a grotesque and eerie sensualistic experience.