So it could have been anyone: journalist, film writer, disgruntled fan.
So it could have been anyone: journalist, film writer, disgruntled fan.
I didn't catch any stylistic differences
I didn't catch any stylistic differences
Zoya Akhtar & Reema Kagti’s Gilded Gospel of Nothingness, did you catch that one?
I wonder what that person does for a living. I haven't seen that style of writing in Bollywood film journalism.
Zoya Akhtar & Reema Kagti’s Gilded Gospel of Nothingness, did you catch that one?
I wonder what that person does for a living. I haven't seen that style of writing in Bollywood film journalism.
Evokes the monster's creation as an expression of artistic creation and its unintended consequences, and the monster's lament over the outcome of Dr. Frankenstein's creation as a case of bad parenting. (2/3)
Evokes the monster's creation as an expression of artistic creation and its unintended consequences, and the monster's lament over the outcome of Dr. Frankenstein's creation as a case of bad parenting. (2/3)
The writing style is polished, so it looks pretty likely that the writer is a seasoned film journalist.
The writing style is polished, so it looks pretty likely that the writer is a seasoned film journalist.