https://linktr.ee/galanin
It has a robotic arm slowly beating a large wooden box drum (a kóok gaaw in Tlíngft).
Aáni yéi xat duwasáakw (I am called Land)
Aáni yéi xat duwasáakw (I am called Land).
Galanin explains, "The absence of a living player for the drum points to the extraction of culture from people; automation as a tool for erasure; and forced compliance with extractive systems. The work's title is a reminder that…" 1/2
It has a robotic arm slowly beating a large wooden box drum (a kóok gaaw in Tlíngft).
Aáni yéi xat duwasáakw (I am called Land)
Aáni yéi xat duwasáakw reflects on the impacts of our movements (what we build and what we destroy) on Land, Water, and ourselves."
- Nicholas Galanin, Tlingft and Unangax
Aáni yéi xat duwasáakw reflects on the impacts of our movements (what we build and what we destroy) on Land, Water, and ourselves."
- Nicholas Galanin, Tlingft and Unangax
SHI staff realized the need to train more apprentices in totem pole carving in phase one of Kootéeyaa Deiyí, which launched four years ago. More: bit.ly/3F9rQY4.
Photo: Kaagwaantaan totem pole led by Nicholas Galanin for phase one of Kootéeyaa Deiyí.
SHI staff realized the need to train more apprentices in totem pole carving in phase one of Kootéeyaa Deiyí, which launched four years ago. More: bit.ly/3F9rQY4.
Photo: Kaagwaantaan totem pole led by Nicholas Galanin for phase one of Kootéeyaa Deiyí.