Nothing fuels a character more than revenge. Here, George Miller paints his tale of revenge in strokes that span years, miles on the Fury Road. Max was a fable, a tall tale told by the fire. Furiosa? Miller turns her into nothing less than a legend.
Nothing fuels a character more than revenge. Here, George Miller paints his tale of revenge in strokes that span years, miles on the Fury Road. Max was a fable, a tall tale told by the fire. Furiosa? Miller turns her into nothing less than a legend.
Denis films the unfilmmable, a sweeping epic that is at once monumental in scale and intimate in its tragedy. Timmy's OTHER role where he has the role of messiah thrust upon him, and the fate of billions hangs in the balance. Long Live the Fighters.
Denis films the unfilmmable, a sweeping epic that is at once monumental in scale and intimate in its tragedy. Timmy's OTHER role where he has the role of messiah thrust upon him, and the fate of billions hangs in the balance. Long Live the Fighters.
The key to capturing Dylan isn't to just get the music or the mannerisms right, its accepting the puzzle box that you can't really solve. Mangold doesn't try to unlock the "real" Dylan. But he will take you back to the scene of the crime and let you decide.
The key to capturing Dylan isn't to just get the music or the mannerisms right, its accepting the puzzle box that you can't really solve. Mangold doesn't try to unlock the "real" Dylan. But he will take you back to the scene of the crime and let you decide.
Ridley Scott returns to blockbuster filmmaking with an epic about the death of an empire, not from barbarians at the gate, but from its own hubris and greed. The dream of Rome is fragile. Protect it while you still can.
Ridley Scott returns to blockbuster filmmaking with an epic about the death of an empire, not from barbarians at the gate, but from its own hubris and greed. The dream of Rome is fragile. Protect it while you still can.
Too many people walked into this looking for another Silence of the Lambs. What this is instead is an examination of evil. Not it's motives, but the feeling. Osgood Perkins creates the image of evil, one that lingers in the very air you breathe. Hail Satan.
Too many people walked into this looking for another Silence of the Lambs. What this is instead is an examination of evil. Not it's motives, but the feeling. Osgood Perkins creates the image of evil, one that lingers in the very air you breathe. Hail Satan.
There was never a doubt in my mind that Fede Alvarez was the man to breathe life back into this franchise. Brutal, but also very cognizant of what makes the xenos beautiful and terrifying all at once. And a great cap to an amazing year for Cailee Spaeny.
There was never a doubt in my mind that Fede Alvarez was the man to breathe life back into this franchise. Brutal, but also very cognizant of what makes the xenos beautiful and terrifying all at once. And a great cap to an amazing year for Cailee Spaeny.
Nothing less than the unfiltered id of the horror genre. Leone pulls out all the stops to prove that this franchise isn't growing the least bit stale. The only thing he cares more about than amping up the gore is his characters. I believe in you, Sienna.
Nothing less than the unfiltered id of the horror genre. Leone pulls out all the stops to prove that this franchise isn't growing the least bit stale. The only thing he cares more about than amping up the gore is his characters. I believe in you, Sienna.
Coppola put everything on the line for this one, so much so that he really never had a chance in hell of it paying off. I'm glad he did, though. No one was thinking as bold, going as big, or pushing audiences as far as he was this year, for better or worse.
Coppola put everything on the line for this one, so much so that he really never had a chance in hell of it paying off. I'm glad he did, though. No one was thinking as bold, going as big, or pushing audiences as far as he was this year, for better or worse.
The kind of old fashioned, crowd pleasing, four-quadrant blockbuster that everyone thought Hollywood had forgotten how to make, led by the embodiment of pure charisma named Glen Powell. How this wasn't a Top Gun Maverick-sized megahit, I'll never know.
The kind of old fashioned, crowd pleasing, four-quadrant blockbuster that everyone thought Hollywood had forgotten how to make, led by the embodiment of pure charisma named Glen Powell. How this wasn't a Top Gun Maverick-sized megahit, I'll never know.
Rose Glass delivers the stronk gurls, but also brings so much atmosphere and mood into this classic noir story of bad guys and worse guys. Fun, sexy, dangerous, it's everything you want. Ed Harris is chilling in this.
Rose Glass delivers the stronk gurls, but also brings so much atmosphere and mood into this classic noir story of bad guys and worse guys. Fun, sexy, dangerous, it's everything you want. Ed Harris is chilling in this.
First, some honorable mentions
First, some honorable mentions