traces affective transitions and conflicts corporeally in terms of their sartorial and fleshy dimensions and how bodies are classified in terms of race, gender, sexuality, and class. Tracing conflicts between symbolic and semiotic aspects thus requires a fleshy and political semiotics of performance

My copy of my first publication arrived.

Reading the foreword and editors introduction and how they describe my chapter giving me lots of feelings

Picked up Judith Butler’s Who’s Afraid of Gender on the weekend as a initial seed for empty bookcases while the rest are crossing the Atlantic

Today is a good day to read visibly in public…