Music Journals (Taylor and Francis)
@musicjournalstf.bsky.social
Posting on behalf of Contemporary Music Review, Journal of New Music Research, Jazz Perspectives, Popular Music and Society, Rock Music Studies, Journal of Musicological Research, and Ethnomusicology Forum.
Socials and links https://bento.me/musicjournal
Socials and links https://bento.me/musicjournal
Contemporary Music Review
The Student Cultural Center in Belgrade as a Cultural Phenomenon and a Propagator of Yugoslav Experimental Minimalism in the 1970s and 1980s
Laura Emmery
doi.org/10.1080/0749...
The Student Cultural Center in Belgrade as a Cultural Phenomenon and a Propagator of Yugoslav Experimental Minimalism in the 1970s and 1980s
Laura Emmery
doi.org/10.1080/0749...
The Student Cultural Center in Belgrade as a Cultural Phenomenon and a Propagator of Yugoslav Experimental Minimalism in the 1970s and 1980s
In 1977, Miloš Raičković assembled a group of friends from the Faculty of Music (FMU) in Belgrade and took centre stage at the Student Cultural Center (SKC). The ensemble would soon become known as...
doi.org
September 10, 2025 at 10:14 AM
Contemporary Music Review
The Student Cultural Center in Belgrade as a Cultural Phenomenon and a Propagator of Yugoslav Experimental Minimalism in the 1970s and 1980s
Laura Emmery
doi.org/10.1080/0749...
The Student Cultural Center in Belgrade as a Cultural Phenomenon and a Propagator of Yugoslav Experimental Minimalism in the 1970s and 1980s
Laura Emmery
doi.org/10.1080/0749...
Jazz Perspectives
Free Improvisation, Egalitarianism, and Knowledge
Ritwik Banerji
doi.org/10.1080/1749...
Free Improvisation, Egalitarianism, and Knowledge
Ritwik Banerji
doi.org/10.1080/1749...
Editorial
Published in Ethnomusicology Forum (Vol. 33, No. 2-3, 2024)
doi.org
September 10, 2025 at 10:14 AM
Jazz Perspectives
Free Improvisation, Egalitarianism, and Knowledge
Ritwik Banerji
doi.org/10.1080/1749...
Free Improvisation, Egalitarianism, and Knowledge
Ritwik Banerji
doi.org/10.1080/1749...
Ethnomusicology Forum
In pursuit of a sound future: industriousness in Maltese popular songs of the 1970s
Philip Ciantar
doi.org/10.1080/1741...
In pursuit of a sound future: industriousness in Maltese popular songs of the 1970s
Philip Ciantar
doi.org/10.1080/1741...
In pursuit of a sound future: industriousness in Maltese popular songs of the 1970s
After its independence in 1964, Malta embarked on an extensive economic programme to diversify the island’s economy. This intensified in the 1970s under the socialist Labour government, which promo...
doi.org
September 10, 2025 at 10:14 AM
Ethnomusicology Forum
In pursuit of a sound future: industriousness in Maltese popular songs of the 1970s
Philip Ciantar
doi.org/10.1080/1741...
In pursuit of a sound future: industriousness in Maltese popular songs of the 1970s
Philip Ciantar
doi.org/10.1080/1741...
Dutch Politics of Music-Washing at Eurovision: The Monstrous Hybrid of Commodified Musical Legacies of Slavery, Imperialist Utopianism, and White Nationalism
Marek Susdorf
doi.org/10.1080/0300...
Marek Susdorf
doi.org/10.1080/0300...
Dutch Politics of Music-Washing at Eurovision: The Monstrous Hybrid of Commodified Musical Legacies of Slavery, Imperialist Utopianism, and White Nationalism
The paper investigates the Dutch entry at Eurovision 2021, when the Netherlands’ representative Jeangu Macrooy performed a song that referred to the singer’s Afro-Surinamese origins and to the ages...
doi.org
September 10, 2025 at 10:14 AM
Dutch Politics of Music-Washing at Eurovision: The Monstrous Hybrid of Commodified Musical Legacies of Slavery, Imperialist Utopianism, and White Nationalism
Marek Susdorf
doi.org/10.1080/0300...
Marek Susdorf
doi.org/10.1080/0300...
Popular Music and Society
Listen to the Boat Engines: The Intimate Voicing of Taiwanese Indigenous Cosmopolitanism in Far Ocean Fishing Songs
DJ W. Hatfield
doi.org/10.1080/0300...
Listen to the Boat Engines: The Intimate Voicing of Taiwanese Indigenous Cosmopolitanism in Far Ocean Fishing Songs
DJ W. Hatfield
doi.org/10.1080/0300...
Listen to the Boat Engines: The Intimate Voicing of Taiwanese Indigenous Cosmopolitanism in Far Ocean Fishing Songs
In this article, I discuss how voices come to have a variety of pragmatic effects. Focusing on far ocean fishing songs, a genre of Taiwanese Indigenous popular musics of the 1970s–1980s, I show how...
doi.org
September 10, 2025 at 10:14 AM
Popular Music and Society
Listen to the Boat Engines: The Intimate Voicing of Taiwanese Indigenous Cosmopolitanism in Far Ocean Fishing Songs
DJ W. Hatfield
doi.org/10.1080/0300...
Listen to the Boat Engines: The Intimate Voicing of Taiwanese Indigenous Cosmopolitanism in Far Ocean Fishing Songs
DJ W. Hatfield
doi.org/10.1080/0300...
Rock Studies
Kosovo in the Rhythms of Rebellion: History of Rock Music in the Time of Political Troubles
Armend Xhoni & Adhurim Rasimi
doi.org/10.1080/1940...
Kosovo in the Rhythms of Rebellion: History of Rock Music in the Time of Political Troubles
Armend Xhoni & Adhurim Rasimi
doi.org/10.1080/1940...
Kosovo in the Rhythms of Rebellion: History of Rock Music in the Time of Political Troubles
This study explores the history of rock music in Kosovo in the period of political troubles, focusing on the context of Albanian-Serbian political conflicts. The article, aims to reveal how the pro...
doi.org
September 10, 2025 at 10:14 AM
Rock Studies
Kosovo in the Rhythms of Rebellion: History of Rock Music in the Time of Political Troubles
Armend Xhoni & Adhurim Rasimi
doi.org/10.1080/1940...
Kosovo in the Rhythms of Rebellion: History of Rock Music in the Time of Political Troubles
Armend Xhoni & Adhurim Rasimi
doi.org/10.1080/1940...
Journal of Musicological Research
“Some Strange Temptation to Evil”: Salieri as Literary Type and the Queerness of Musical Crime in 19th-Century Fiction
Kristin M. Franseen European Roots
Ayden Adler
doi.org/10.1080/0141...
“Some Strange Temptation to Evil”: Salieri as Literary Type and the Queerness of Musical Crime in 19th-Century Fiction
Kristin M. Franseen European Roots
Ayden Adler
doi.org/10.1080/0141...
The Boston Pops: An American Institution and Its European Roots
This article traces the historical origins and influences that led the early leaders of the Boston Symphony Orchestra (BSO) to offer both “symphony concerts” and “popular concerts” on the same stag...
doi.org
September 10, 2025 at 10:14 AM
Journal of Musicological Research
“Some Strange Temptation to Evil”: Salieri as Literary Type and the Queerness of Musical Crime in 19th-Century Fiction
Kristin M. Franseen European Roots
Ayden Adler
doi.org/10.1080/0141...
“Some Strange Temptation to Evil”: Salieri as Literary Type and the Queerness of Musical Crime in 19th-Century Fiction
Kristin M. Franseen European Roots
Ayden Adler
doi.org/10.1080/0141...
Tempering the clavier: a corpus-based examination of Bach’s cognition of intonation in the Well-Tempered Clavier
Andrew Blake & Joshua Albrecht
doi.org/10.1080/0929...
Andrew Blake & Joshua Albrecht
doi.org/10.1080/0929...
Tempering the clavier: a corpus-based examination of Bach’s cognition of intonation in the Well-Tempered Clavier
While it is well known today that J.S. Bach’s The Well-Tempered Clavier (WTC) was not composed with equal temperament in mind, it is unknown exactly which, if any, well temperament Bach had intende...
doi.org
September 10, 2025 at 10:14 AM
Tempering the clavier: a corpus-based examination of Bach’s cognition of intonation in the Well-Tempered Clavier
Andrew Blake & Joshua Albrecht
doi.org/10.1080/0929...
Andrew Blake & Joshua Albrecht
doi.org/10.1080/0929...
Journal of New Music Research
From genies performing magic to sages imparting wisdom: a value-centred survey of music AI user interfaces, creative affordances and artist objectives
Oliver Bown
doi.org/10.1080/0929...
From genies performing magic to sages imparting wisdom: a value-centred survey of music AI user interfaces, creative affordances and artist objectives
Oliver Bown
doi.org/10.1080/0929...
From genies performing magic to sages imparting wisdom: a value-centred survey of music AI user interfaces, creative affordances and artist objectives
There are, at present, multiple fronts of debate about the ethics of Commercial Creative AI (ComCAI) product development. The issues of copyright and the right to know the AI provenance of work are...
doi.org
September 10, 2025 at 10:14 AM
Journal of New Music Research
From genies performing magic to sages imparting wisdom: a value-centred survey of music AI user interfaces, creative affordances and artist objectives
Oliver Bown
doi.org/10.1080/0929...
From genies performing magic to sages imparting wisdom: a value-centred survey of music AI user interfaces, creative affordances and artist objectives
Oliver Bown
doi.org/10.1080/0929...