"Philae est un de ces lieux privilégiés où l'art et la nature se fondent harmonieusement" (Georges Noblemaire, XIXe-XXe s.)
textesdegypte.blogspot.com/2023/12/phil...
"Philae est un de ces lieux privilégiés où l'art et la nature se fondent harmonieusement" (Georges Noblemaire, XIXe-XXe s.)
textesdegypte.blogspot.com/2023/12/phil...
L'Égypte "donne une si vive secousse à l'esprit qu'il faudrait, non des mois, mais des années pour la connaître d'une manière sérieuse" (Gabriel Charmes)
textesdegypte.blogspot.com/2023/12/legy...
L'Égypte "donne une si vive secousse à l'esprit qu'il faudrait, non des mois, mais des années pour la connaître d'une manière sérieuse" (Gabriel Charmes)
textesdegypte.blogspot.com/2023/12/legy...
"Toute la paix merveilleuse de l'Égypte se mire dans le grand Nil" (André Chevrillon, XXe s.)
extrait de "Terres mortes : Thébaïde, Judée"
textesdegypte.blogspot.com/2023/10/tout...
"Toute la paix merveilleuse de l'Égypte se mire dans le grand Nil" (André Chevrillon, XXe s.)
extrait de "Terres mortes : Thébaïde, Judée"
textesdegypte.blogspot.com/2023/10/tout...
This stela of Ipy, who held the titles “fan-bearer on the right hand [of the king]”, “royal scribe”, carries a depiction of its owner making offering to Anubis, the embalmer deity, who is seated at the offering table.
egypt-museum.com/stela-of-ipy/
This stela of Ipy, who held the titles “fan-bearer on the right hand [of the king]”, “royal scribe”, carries a depiction of its owner making offering to Anubis, the embalmer deity, who is seated at the offering table.
egypt-museum.com/stela-of-ipy/
Le rôle de la couleur dans l'art égyptien, selon Gustave Le Bon (XIXe-XXe s.)
textesdegypte.blogspot.com/2023/11/le-r...
Le rôle de la couleur dans l'art égyptien, selon Gustave Le Bon (XIXe-XXe s.)
textesdegypte.blogspot.com/2023/11/le-r...
This Libyan palette also known as Tehenu palette is the surviving lower portion of a stone cosmetic palette bearing carved decoration and hieroglyphic writing. It dates from the Naqada III or Protodynastic Period of Egypt. It was found at Abydos.
egypt-museum.com/the-libyan-p...
This Libyan palette also known as Tehenu palette is the surviving lower portion of a stone cosmetic palette bearing carved decoration and hieroglyphic writing. It dates from the Naqada III or Protodynastic Period of Egypt. It was found at Abydos.
egypt-museum.com/the-libyan-p...
Wooden mummy mask of a woman with scarab
Fragment of coffin or board with face, part of headdress. Female coffin, probably. Gessoed surface intact and painted. Scarab beetle above forehead on painted feathered headdress.
egypt-museum.com/wooden-mummy...
Wooden mummy mask of a woman with scarab
Fragment of coffin or board with face, part of headdress. Female coffin, probably. Gessoed surface intact and painted. Scarab beetle above forehead on painted feathered headdress.
egypt-museum.com/wooden-mummy...
"Allons ! l'Égypte ne fut pas que morose"
extrait de "Vacances au bord du Nil", 1942, par Camille Lagier (1855-1936)
textesdegypte.blogspot.com/2023/11/allo...
"Allons ! l'Égypte ne fut pas que morose"
extrait de "Vacances au bord du Nil", 1942, par Camille Lagier (1855-1936)
textesdegypte.blogspot.com/2023/11/allo...
Osiris with Isis and Nephthys
The Book of the Dead of the scribe Hunefer
New Kingdom, 19th Dynasty, c. 1300 B.C.
British Museum. EA9901,3
egypt-museum.com/osiris-with-...
Osiris with Isis and Nephthys
The Book of the Dead of the scribe Hunefer
New Kingdom, 19th Dynasty, c. 1300 B.C.
British Museum. EA9901,3
egypt-museum.com/osiris-with-...
"The Netherworld in Ancient Egypt and China An Imagined Paradise" by Mu-chou Poo
Bloomsbury Publishing, 2023, 176 pages
www.bloomsbury.com/us/netherwor...
"The Netherworld in Ancient Egypt and China An Imagined Paradise" by Mu-chou Poo
Bloomsbury Publishing, 2023, 176 pages
www.bloomsbury.com/us/netherwor...
Syrian men depicted bringing tribute of vases, weaponry and animals (including horses and bears) to Egypt, within the tomb chapel of the vizier Rekhmire (TT100). An example of trade between the nations.
egypt-museum.com/syrian-men-b...
Syrian men depicted bringing tribute of vases, weaponry and animals (including horses and bears) to Egypt, within the tomb chapel of the vizier Rekhmire (TT100). An example of trade between the nations.
egypt-museum.com/syrian-men-b...
Statue of the goddess Isis, so-called “Isis of Coptos”. She wears a tripartite wig with uraeus. The sun disc and cow’s horns identify the sculpture as Isis or Hathor.
egypt-museum.com/statue-of-is...
Statue of the goddess Isis, so-called “Isis of Coptos”. She wears a tripartite wig with uraeus. The sun disc and cow’s horns identify the sculpture as Isis or Hathor.
egypt-museum.com/statue-of-is...
Stéphane Polis (éd.)
"Guide to the Writing Systems of Ancient Egypt"
www.ifao.egnet.net/publications...
Stéphane Polis (éd.)
"Guide to the Writing Systems of Ancient Egypt"
www.ifao.egnet.net/publications...
Takhebkhenem, Lady of the House, daughter of Pedikhons (British Museum)
egypt-museum.com/takhebkhenem...
Takhebkhenem, Lady of the House, daughter of Pedikhons (British Museum)
egypt-museum.com/takhebkhenem...
Statue of the goddess Isis, so-called “Isis of Coptos”. She wears a tripartite wig with uraeus. The sun disc and cow’s horns identify the sculpture as Isis or Hathor.
egypt-museum.com/statue-of-is...
Statue of the goddess Isis, so-called “Isis of Coptos”. She wears a tripartite wig with uraeus. The sun disc and cow’s horns identify the sculpture as Isis or Hathor.
egypt-museum.com/statue-of-is...
Relief of Mentuemhat in his robes as a priest of Amun and carrying the wand used to consecrate food offerings to the god. Raised relief in the style of his time, but showing some influence of Middle Kingdom work.
egypt-museum.com/relief-of-me...
Relief of Mentuemhat in his robes as a priest of Amun and carrying the wand used to consecrate food offerings to the god. Raised relief in the style of his time, but showing some influence of Middle Kingdom work.
egypt-museum.com/relief-of-me...
textesdegypte.blogspot.com/2023/11/les-...
textesdegypte.blogspot.com/2023/11/les-...
This mummy mask of a man named Sebni dates from the 12th Dynasty of the Middle Kingdom period of Ancient Egyptian history, c. 1980–1801 B.C. It is originally thought to be from the Necropolis of Meir.
egypt-museum.com/mummy-mask-o...
This mummy mask of a man named Sebni dates from the 12th Dynasty of the Middle Kingdom period of Ancient Egyptian history, c. 1980–1801 B.C. It is originally thought to be from the Necropolis of Meir.
egypt-museum.com/mummy-mask-o...
This pair of statuettes are of the Theban priest Amenhotep and his wife Rannai, who was a Singer of Amun at the Theban Temple.
Made of precious black ebony wood, these figures stand 44 and 33 cm high, with glass inlay and gold trim.
egypt-museum.com/wooden-statu...
This pair of statuettes are of the Theban priest Amenhotep and his wife Rannai, who was a Singer of Amun at the Theban Temple.
Made of precious black ebony wood, these figures stand 44 and 33 cm high, with glass inlay and gold trim.
egypt-museum.com/wooden-statu...
Le rôle de la couleur dans l'art égyptien, selon Gustave Le Bon (XIXe-XXe s.)
textesdegypte.blogspot.com/2023/11/le-r...
Le rôle de la couleur dans l'art égyptien, selon Gustave Le Bon (XIXe-XXe s.)
textesdegypte.blogspot.com/2023/11/le-r...
This statue of the wife of Nakhtmin is one of the most elegantly sculptured women figures from ancient Egypt. She is depicted wearing a transparent garment of fine linen and a wig with a band of petals with a blooming lotus flower in the center.
egypt-museum.com/statue-of-wi...
This statue of the wife of Nakhtmin is one of the most elegantly sculptured women figures from ancient Egypt. She is depicted wearing a transparent garment of fine linen and a wig with a band of petals with a blooming lotus flower in the center.
egypt-museum.com/statue-of-wi...
This gold vase or bowl of Psusennes I with carved stripes on the body reveals the fine taste and skills of the craftsmen of the period.
egypt-museum.com/gold-vase-wi...
This gold vase or bowl of Psusennes I with carved stripes on the body reveals the fine taste and skills of the craftsmen of the period.
egypt-museum.com/gold-vase-wi...
Ancient Egyptian turquoise faience scarab (mounted on swivel bezel in modern gold ring).
From the end of the third millennium B.C., the scarab beetle served as an amulet in Egypt where it represented the sun god.
egypt-museum.com/gold-scarab-...
Ancient Egyptian turquoise faience scarab (mounted on swivel bezel in modern gold ring).
From the end of the third millennium B.C., the scarab beetle served as an amulet in Egypt where it represented the sun god.
egypt-museum.com/gold-scarab-...
The rivalry between Young and Champollion in the race to translate Egyptian hieroglyphs is legendary. But what motivated these two scholars ? Andrew Robinson goes in search of the personalities behind an extraordinary intellectual achievement.
the-past.com/feature/deci...
The rivalry between Young and Champollion in the race to translate Egyptian hieroglyphs is legendary. But what motivated these two scholars ? Andrew Robinson goes in search of the personalities behind an extraordinary intellectual achievement.
the-past.com/feature/deci...
"Représenter les morts, captiver les vivants
Les façades décorées des tombes memphites à l’Ancien Empire : formes, fonctions et réception"
par Romane Betbeze
www.isbn.de/buch/9783906...
"Représenter les morts, captiver les vivants
Les façades décorées des tombes memphites à l’Ancien Empire : formes, fonctions et réception"
par Romane Betbeze
www.isbn.de/buch/9783906...