The Cornfield c.1960.
Oil on canvas.
The Cornfield c.1960.
Oil on canvas.
Like John Ruskin, Albert Goodwin responded to landscape with an almost religious fervour and understanding; he interpreted it with greater eclecticism in the style of Whistler, Ruskin’s great adversary in the field of aesthetics.
Like John Ruskin, Albert Goodwin responded to landscape with an almost religious fervour and understanding; he interpreted it with greater eclecticism in the style of Whistler, Ruskin’s great adversary in the field of aesthetics.
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Symmetry