Seeing Nina Power's spectacular dimwittedness playing out in court was quite something—exemplified here, where her *own barrister* asked her to explain why she'd lied in her pleadings about the Groyper accounts she was secretly running.

Cross-examination saw her reduced to a sobbing, fascist husk.

Thanks so much, Geoff 🙏🏻

Except doing so in sworn statements of truth at the High Court contributed to ultimately bankrupting both these galaxy-brained numpties… 🫠

This resulted in one of the most jaw-dropping moments at trial, when both DC Miller and Nina Power were forced by their own KC to admit to having made false statements in sworn statements of truth, having dishonestly claimed the groyper account Power used to target me was an "unknown third-party":

It was very dark, very fast.

Absolutely, here you go. Strap yourself in for a wild ride of antisemitic conspiracy theories, Holocaust revisionism and Groypers…

The "alien races" Whatsapp messages certainly figured at trial, where both Miller and Power were reduced to tears by their own foolishness. Their responses were about as insightful as you'd expect…

Fascism aside, James Orr shows risibly poor judgment in characterising Nina Power as "a talented and valuable voice", when even her own barrister painted her at trial as a bumbling dimwit out of her depth, in a vain attempt to excuse the false testimony she gave about her anonymous Groyper accounts…

Brian Cox appears to have pulled out, at least – his page is 404'd:

There’s still time to see my completed wall text painting during the exhibition’s final days until Saturday, and after that it will remain viewable in the gallery by appointment for the next couple of weeks.
🪜🖌️🖤🙌🏻

Special thanks to Naomi Siderfin and David Crawford for inviting me to be a part of the show ‘Manifesto for Sustainable Experimentation’, celebrating 30 years of Beaconsfield—whose magnificent archive has been acquired by the Tate, who I’m sure will cherish it for us all for many decades to come!

…and of contemporary Nazism, of being branded a ‘Degenerate artist’ in the 21st century, of having one’s freedom of speech quashed – and then the joys of enduring, of regaining artistic freedoms, of reclaiming one’s words, and of the luxury of time itself.

Note: the supportive comments from Stock, Orr and Fox and messages decrying ‘cancel culture’ and in support of ‘free speech’ are directed towards an individual that used a SLAPP in a vain attempt to bankrupt a Jewish artist for expressing his free speech—the truth. It is not about ‘free speech’

Maybe one day the UK media will enquire into why Baroness Claire Fox vocally supported Nina Power on the day it was publicly revealed she said ‘I’m definitely a Nazi now lol’