New in 1.0: The new Clone Painter allows you to place or paint clones directly in the viewport.

See more of what's new in Notch 1.0: go.notch.one/overviewvideo1

#madewithnotch

This August, we're offering two distinct Notch training courses in London.

The second is a 2-day workshop that will empower you to create compelling motion graphics and visual effects.

Get tickets and find out more here: go.notch.one/londontraini...

#madewithnotch

This August, we're offering two distinct Notch training courses in London.

The first is a 2-day course covering essential AV topics.

Get tickets and find out more here: go.notch.one/londontraini...

#madewithnotch

Get to know Notch 1.0: The physics system in Notch has been completely rewritten for 1.0, enabling larger, more highly detailed simulations, and works more smoothly and more reliably than ever.

See more of what's new in Notch 1.0: go.notch.one/overviewvideo1

#madewithnotch

Notch training returns! Our first new courses are taking place on the 19th to 20th of May in Atlanta, and the 22nd to 23rd of May in Nashville!

Level up your Notch skills with the ultimate hands-on workshop! Book now, seating is limited!

go.notch.one/atlanta-may2...
& go.notch.one/nashville-ma...

Wondering about the changes and updates to 1.0? Our lead trainer Armin takes you through just a few of them in this overview video: www.youtube.com/watch?v=DwgR...

There are a million other new features in @notch.one that I still need to familiarise myself with . . . but I'm obsessed this new cloth deformer.

#madewithnotch #realtime #motiongraphics

I was asking myself if I could justify the new annual subscription . . . 20,000 cubes cloned to a cloth simulation with refraction, glow, and chromatic aberation playing back in realtime on a 3080ti answered that question.

@notch.one #madewithnotch #realtime #motiongraphics #visuals

It's been a busy start to the year, so I took a breather today, dusted off the Model:Cycles, opened up @notch.one , and lost a few hours.

#madewithnotch

“Notch’s capacity to create adaptive real-time visuals played an indispensable role in delivering all-new ideas to this 16K mega-canvas night after night,” says Manuel Galarneau, Multimedia Director at Moment Factory, about their work for Phish at Sphere, Las Vegas.

go.notch.one/phishsphere

The best long-form piece I’ve ever read on the state of being a creative online in 2024: www.vox.com/culture/2024...

“Notch responds to my drum hits and XY movements in real-time, so I don’t have to be locked to a timeline when I play live," says Audiovisual Artist Brett Bolton about the debut performance of his new project, PHASES, at MUTEK Montréal.

go.notch.one/phasesmutekmtl

We're hiring at @notch.one, two open roles in the UK:

Senior AV Product Specialist: www.linkedin.com/jobs/view/37...
Junior QA Specialist: www.linkedin.com/jobs/view/37...

“Particles and bokeh are so unique to ENCANTO, and using Notch allowed us to dig deeply into details and match the look and motion of the film viewers know and love,” says Lydia Caplan, Lead Designer at NorthHouse, about their work for Fulwell 73 & Disney.

go.notch.one/encantoholly...