Kubrick minimized the dialogue and relied heavily on atonality and melody in this film because he was trying to create a numinous rather than an intellectual experience.
Kubrick minimized the dialogue and relied heavily on atonality and melody in this film because he was trying to create a numinous rather than an intellectual experience.
This isn't satire; it punches down.
Satire punches up, not down. Punching down is the calling card of the bully, not the satirist. Ergo, Trump is a bully.
And Mike Johnson is a cartoon ignoramus.
This isn't satire; it punches down.
Satire punches up, not down. Punching down is the calling card of the bully, not the satirist. Ergo, Trump is a bully.
And Mike Johnson is a cartoon ignoramus.
As so often while reviewing Lynch's work, Ebert gave it a passive aggressive 👎
But note the low-key swipe at Eraserhead he sneaks in: it's a film of mere "promise."
As so often while reviewing Lynch's work, Ebert gave it a passive aggressive 👎
But note the low-key swipe at Eraserhead he sneaks in: it's a film of mere "promise."