Back to posting some artwork from this year, as well as from the archives. #printmaking
Back to posting some artwork from this year, as well as from the archives. #printmaking
“Okra”, circa 1993; 3-plate Intaglio (aquatint), 9” x 6”.
#printmaking
It’s gardening season in the back of beyond. I dug this print out of the flat files as evidence that, no matter what dystopian ridiculousness we’re living through, it’s still time to plant some veggies.
“Okra”, circa 1993; 3-plate Intaglio (aquatint), 9” x 6”.
#printmaking
It’s gardening season in the back of beyond. I dug this print out of the flat files as evidence that, no matter what dystopian ridiculousness we’re living through, it’s still time to plant some veggies.
Sometimes it’s easier to stand for our constitutional rights when someone will stand with you. Go find that friend.
Sometimes it’s easier to stand for our constitutional rights when someone will stand with you. Go find that friend.
#drawing
#mixedmedia
#drawing
#mixedmedia
I don’t want my state taxes going to fund private schools, do you? If you live in the state of Tennessee, email your representatives and tell them to vote NO on private school vouchers.
I don’t want my state taxes going to fund private schools, do you? If you live in the state of Tennessee, email your representatives and tell them to vote NO on private school vouchers.
#printmaking
#printmaking
“Tumor”, 2021; mixed media on Stonehenge, 30” x 22”.
“Tumor”, 2021; mixed media on Stonehenge, 30” x 22”.
“Apocrypha: Sacrifice”, 2016; charcoal, pastel, ink on Lenox, 4’ x3’.
“Apocrypha: Sacrifice”, 2016; charcoal, pastel, ink on Lenox, 4’ x3’.
“The Undertaker is Waiting For Your Call”, charcoal, 4 x 3 ft.
“The Undertaker is Waiting For Your Call”, charcoal, 4 x 3 ft.