Leah Pennywark
@lpennywark.bsky.social
Humanities Editor at the University of Minnesota Press. Avid reader. Disabled. She/her/hers.
Reposted by Leah Pennywark
I'm obsessed with this stat: "with more than 4,000 degree-granting institutions and fewer than 130 university presses in the United States and Canada, this vital [publishing] infrastructure is directly supported by less than 3 percent of the institutions it benefits"
November 6, 2025 at 5:55 PM
I'm obsessed with this stat: "with more than 4,000 degree-granting institutions and fewer than 130 university presses in the United States and Canada, this vital [publishing] infrastructure is directly supported by less than 3 percent of the institutions it benefits"
Reposted by Leah Pennywark
Re-upping @jgbridgergilmore.bsky.social's review of Brooks E. Hefner's BLACK PULP (@uminnpress.bsky.social); hoping THE MARTIAN TRILOGY leads to more of these genre stories from "Illustrated Feature Section" & other Black serials getting rediscovered!
Black Genre Fiction Reimagined: Review of Black Pulp by Brooks E. Hefner
Black Genre Fiction Reimagined: Review of Black Pulp by Brooks E. Hefner Garrett Bridger Gilmore Under Review:Black Pulp. Brooks E. Hefner. University of Minnesota Press, December 2021. In hi…
ancillaryreviewofbooks.org
November 5, 2025 at 6:26 PM
Re-upping @jgbridgergilmore.bsky.social's review of Brooks E. Hefner's BLACK PULP (@uminnpress.bsky.social); hoping THE MARTIAN TRILOGY leads to more of these genre stories from "Illustrated Feature Section" & other Black serials getting rediscovered!
Limning the rich, still barely specified horizons between sex, asexuality, transgender, consumption, & relation, this book charts—after mycelium, with less direction than purpose—a space between the everything & the nothing, which is so much more, as KJ Cerankowski shows, than in between—Mel Y. Chen
October 27, 2025 at 5:21 PM
Limning the rich, still barely specified horizons between sex, asexuality, transgender, consumption, & relation, this book charts—after mycelium, with less direction than purpose—a space between the everything & the nothing, which is so much more, as KJ Cerankowski shows, than in between—Mel Y. Chen