He/Him
18+, I ain’t runnin' a kindergarten
This is genuinely a really good movie about the rivalries, heartbreaks, and triumphs inherent to sports. Get you someone who'll piss you off and push you father.
Everyone says Uma Musume is horsegirl yuri, but it's actually F1 yaoi.
This is genuinely a really good movie about the rivalries, heartbreaks, and triumphs inherent to sports. Get you someone who'll piss you off and push you father.
Everyone says Uma Musume is horsegirl yuri, but it's actually F1 yaoi.
The perfect send up to Hong Kong Kung fu movies that are Bad. It has some really badass action and choreography, but it draaaaaaags
rza can stay, quentin please leave.
The perfect send up to Hong Kong Kung fu movies that are Bad. It has some really badass action and choreography, but it draaaaaaags
rza can stay, quentin please leave.
A surprisingly contemplative film that just manages to sell the coolness, tragedy, and mundanity of its protagonist navigating its world of gangsters.
oh shit, rza has a cameo
A surprisingly contemplative film that just manages to sell the coolness, tragedy, and mundanity of its protagonist navigating its world of gangsters.
oh shit, rza has a cameo
Very funny that after its prequel discusses stereotypes, Zoo2opia discusses* environmental racism. Doubt it'll set the world on fire the way the prequel did, but focusing more on the leads' dynamic is fun enough
*it's a kid's movie
Very funny that after its prequel discusses stereotypes, Zoo2opia discusses* environmental racism. Doubt it'll set the world on fire the way the prequel did, but focusing more on the leads' dynamic is fun enough
*it's a kid's movie
is preddy good; John Myers is the annoying "normal guy to on-ramp viewers" that a bunch of adaptations use, but the themes of "accepting the monster" establish a good foundation for GDT's later wo–
wait, he directed Blade 2?
is preddy good; John Myers is the annoying "normal guy to on-ramp viewers" that a bunch of adaptations use, but the themes of "accepting the monster" establish a good foundation for GDT's later wo–
wait, he directed Blade 2?
I've been stewing on what to say about this, since it came out in January. "Lo Que Le Pasó a Hawaii" stuck with me for its discussion of the colonization of Hawaii, but this album sticks with me as a celebration of Latin music.
"We're still here."
I've been stewing on what to say about this, since it came out in January. "Lo Que Le Pasó a Hawaii" stuck with me for its discussion of the colonization of Hawaii, but this album sticks with me as a celebration of Latin music.
"We're still here."
Saw this in 4K for the 40th anniversary; there's a deeply spiritual edge to this movie, but more than anything it was incredible to sit and take in this beautifully rendered world.
Saw this in 4K for the 40th anniversary; there's a deeply spiritual edge to this movie, but more than anything it was incredible to sit and take in this beautifully rendered world.
"yeah im gonna make these teenagers turn into chainsaws and bombs eheheheh"
"OUGHHHH, THEY'RE JUST KIDS!!!! THIS SHOULDN'T BE HAPPENING TO THEM! THEY SHOULD BE IN SCHOOL!!!!"
"yeah im gonna make these teenagers turn into chainsaws and bombs eheheheh"
"OUGHHHH, THEY'RE JUST KIDS!!!! THIS SHOULDN'T BE HAPPENING TO THEM! THEY SHOULD BE IN SCHOOL!!!!"
This isn't a faithful adaptation of the book, but this is GDT bringing his entire philosophy and aesthetic to the work that inspired him to become filmmaker he is. Go in wanting to see a GDT movie first, and you'll be amazed.
This isn't a faithful adaptation of the book, but this is GDT bringing his entire philosophy and aesthetic to the work that inspired him to become filmmaker he is. Go in wanting to see a GDT movie first, and you'll be amazed.
Danny Brown's interview about Wallsocket by underscores shows how much he loves making music, and that he, sober and in his 40s, can make music this interesting and in tune with "youth culture" shows how we can always keep growing.
unc didn't chase, he caught
Danny Brown's interview about Wallsocket by underscores shows how much he loves making music, and that he, sober and in his 40s, can make music this interesting and in tune with "youth culture" shows how we can always keep growing.
unc didn't chase, he caught
I don't think it's my favorite Miyazaki, nor do I think it's the best, but I think I like it's tone and atmosphere the most. There's a sense of romanticism, however macho, tinged with melancholy to make it a cozy yet thought-provoking movie.
I don't think it's my favorite Miyazaki, nor do I think it's the best, but I think I like it's tone and atmosphere the most. There's a sense of romanticism, however macho, tinged with melancholy to make it a cozy yet thought-provoking movie.
beastars for law students (i.e., freaks like me!!!)
beastars for law students (i.e., freaks like me!!!)
"A lot of strange, incredible, absurd events." This is peak giallo—incredible atmosphere, sound design, and vibes. Really good horror movie for people the more easily scared.
why was the first kill the most danganronpa thing I've seen this side of hope's peak
"A lot of strange, incredible, absurd events." This is peak giallo—incredible atmosphere, sound design, and vibes. Really good horror movie for people the more easily scared.
why was the first kill the most danganronpa thing I've seen this side of hope's peak
Definitely a step up production and storytelling wise, but I think the 80s inspiration overwhelms a lot of the grit that I really enjoyed in Act I.
For that, Act II is just, while Act I is based, but I see why they're both so beloved.
Definitely a step up production and storytelling wise, but I think the 80s inspiration overwhelms a lot of the grit that I really enjoyed in Act I.
For that, Act II is just, while Act I is based, but I see why they're both so beloved.
For my quibbles with the narrative, this rock opera thrives on inspirations. A bit rough production wise, but the grit gives it a lot of character. 00s Newgrounds went nuts for this.
For my quibbles with the narrative, this rock opera thrives on inspirations. A bit rough production wise, but the grit gives it a lot of character. 00s Newgrounds went nuts for this.
It's worse Reputation with weirdly traditional, feminine domesticity undertones, idk what you want from me
It's worse Reputation with weirdly traditional, feminine domesticity undertones, idk what you want from me
Really solid occult horror flick with Gnostic theming. Saw it with friends; it makes for a good spooky movie night!
Really solid occult horror flick with Gnostic theming. Saw it with friends; it makes for a good spooky movie night!
When people talk fondly about shlocky horror movies, they're talking about flicks like this. Really strong chemistry between the leads makes for an entertaining watch with strong special effects. It's got the sauce.
When people talk fondly about shlocky horror movies, they're talking about flicks like this. Really strong chemistry between the leads makes for an entertaining watch with strong special effects. It's got the sauce.
I liked Talk to Me (2022) well enough, but Jesus Christ this was bleak. Deeply upsetting film that'll stick with me for a while.
I liked Talk to Me (2022) well enough, but Jesus Christ this was bleak. Deeply upsetting film that'll stick with me for a while.
Didn't care for the chimp-based humor, but when it's on, it's *on*. Really sells the kineticism of animation in a live action format, and it's crazy how much movie is in the movie.
Didn't care for the chimp-based humor, but when it's on, it's *on*. Really sells the kineticism of animation in a live action format, and it's crazy how much movie is in the movie.
I listened to this at about the same time as the clipping. and Backxwash albums earlier this year and it's definitely the most harrowing of that "horrorcore" trio. Billy Woods has a way with atmosphere that just fills you with a sense of despair.
I listened to this at about the same time as the clipping. and Backxwash albums earlier this year and it's definitely the most harrowing of that "horrorcore" trio. Billy Woods has a way with atmosphere that just fills you with a sense of despair.
Really fun adaptation especially thanks to Science Saru's elevation. I think the "Will They, Won't They" drags at times, but the anime is a consistent treat for the eyes.
Really fun adaptation especially thanks to Science Saru's elevation. I think the "Will They, Won't They" drags at times, but the anime is a consistent treat for the eyes.
This has so many interesting ideas about football, race, ambition, masculinity, yet it just fails to cohere in the end. It feels like it needed 15 more minutes, but it is so close to being My Type Of Shit.
I'd still recommend checking it out tho
This has so many interesting ideas about football, race, ambition, masculinity, yet it just fails to cohere in the end. It feels like it needed 15 more minutes, but it is so close to being My Type Of Shit.
I'd still recommend checking it out tho
I wouldn't call it a story as much as a loss collection of sci-fi tropes, but it is very pretty to look at, even the 00s CGI. The use of pop-punk is very funny, and I can imagine this movie turning 9 year olds into lifelong scifi fans.
I wouldn't call it a story as much as a loss collection of sci-fi tropes, but it is very pretty to look at, even the 00s CGI. The use of pop-punk is very funny, and I can imagine this movie turning 9 year olds into lifelong scifi fans.
This is missing some of the singles I really loved in the interim since The Big Day, but Chance clearly has the spark, his optimism gaining a political bite in the years. I must admit, "and we back (IGH!)"
This is missing some of the singles I really loved in the interim since The Big Day, but Chance clearly has the spark, his optimism gaining a political bite in the years. I must admit, "and we back (IGH!)"