See my art at lizcopeland.com
We are all energy bodies dancing through space and time
Heart’s Desire (2001)
Heart’s Desire (2001)
Green Swirls (2023) is the abstract experiment I like the best even if it is on foamcore.
Green Swirls (2023) is the abstract experiment I like the best even if it is on foamcore.
Garden Hunting (2022) is part of my transition from textiles to paint as my medium. #mecfs reduced the time and energy I have to make art so my adaptation is moving to a faster and less physically demanding way to continue creating.
Garden Hunting (2022) is part of my transition from textiles to paint as my medium. #mecfs reduced the time and energy I have to make art so my adaptation is moving to a faster and less physically demanding way to continue creating.
Lizard Dreams (10”x 13”) 2018
This was the last of my experiments with satin stitching. While doing a sample with a new thread, I noticed the stitches looked like dna. My brain then went to dna floating in space, added lizard brain, and the ideas ping ponged from there.
Lizard Dreams (10”x 13”) 2018
This was the last of my experiments with satin stitching. While doing a sample with a new thread, I noticed the stitches looked like dna. My brain then went to dna floating in space, added lizard brain, and the ideas ping ponged from there.
For solstice, Grounded (12” x 12”) 2018
This is one of my favorite of my dancer pieces and came out of my attempt to portray inner states visually
For solstice, Grounded (12” x 12”) 2018
This is one of my favorite of my dancer pieces and came out of my attempt to portray inner states visually
Go with the Flow (2020) was also in reaction to the massive changes in my life due to #mecfs A new reality required a mental reset
Go with the Flow (2020) was also in reaction to the massive changes in my life due to #mecfs A new reality required a mental reset
Persist! (2020) came about as a reaction to my feelings of loss after getting #mecfs. My plans were gone, I could no longer make art the way I had for years and I felt like a slug. So I decided to look for the beauty in that
Persist! (2020) came about as a reaction to my feelings of loss after getting #mecfs. My plans were gone, I could no longer make art the way I had for years and I felt like a slug. So I decided to look for the beauty in that
No Strings Attached (8” x 8”) 2014 was inspired by breaking through some personal limits
No Strings Attached (8” x 8”) 2014 was inspired by breaking through some personal limits
Harmony (14” x 14”) 2013
My stitch experiments continued with silkscreening on sheer fabric
Harmony (14” x 14”) 2013
My stitch experiments continued with silkscreening on sheer fabric
Labyrinth 4 (5” x 5”) 2013
I spent a couple years exploring satin stitch as a major element and this was part of trying different techniques of stitching
Labyrinth 4 (5” x 5”) 2013
I spent a couple years exploring satin stitch as a major element and this was part of trying different techniques of stitching
Infinity & Beyond (12” x 22”) 2012
Infinity & Beyond (12” x 22”) 2012
Proto Ferns (8” x 10”) 2013
Proto Ferns (8” x 10”) 2013
Twilight Forest (20” x 16”) 2013
Twilight Forest (20” x 16”) 2013
Circle Dancing (14” x 11”) 2012
Circle Dancing (14” x 11”) 2012
Under the Sea (20”x16”) 2013 is an example of reverse appliqué stitching. My starting idea came from a news story about kelp forests and I added the bubbles
Under the Sea (20”x16”) 2013 is an example of reverse appliqué stitching. My starting idea came from a news story about kelp forests and I added the bubbles
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