[2/2] Jon reflects on the difficulty of trying to represent traumatic experiences in non-fiction writing: "it'll never be enough... you can't ever capture the truth." youtu.be/B4wt_zNXugA . “Body High” by Jon Lindsey out by House of Vlad Press asterismbooks.com/product/body...
[2/2] Jon reflects on the difficulty of trying to represent traumatic experiences in non-fiction writing: "it'll never be enough... you can't ever capture the truth." youtu.be/B4wt_zNXugA . “Body High” by Jon Lindsey out by House of Vlad Press asterismbooks.com/product/body...
4/4 [...] I am grateful to have been able to collaborate with one of the all-time creative forces in American film. Her legacy will continue to inspire and motivate new generations of artists.
October 12, 2025 at 6:43 PM
4/4 [...] I am grateful to have been able to collaborate with one of the all-time creative forces in American film. Her legacy will continue to inspire and motivate new generations of artists.
3/4 [...] she would verbally muse over ideas, offhandedly committal, inadvertently funny, while dealing with an issue that she very much felt a directive to open.
October 12, 2025 at 6:43 PM
3/4 [...] she would verbally muse over ideas, offhandedly committal, inadvertently funny, while dealing with an issue that she very much felt a directive to open.
2/4 [...] at Columbine in 1999, with insight into the motives and possible solutions, was what motivated Keaton. I wrote an original script with her input. When people asked what she was like, I would always say, it was like talking to the character Annie Hall,
October 12, 2025 at 6:43 PM
2/4 [...] at Columbine in 1999, with insight into the motives and possible solutions, was what motivated Keaton. I wrote an original script with her input. When people asked what she was like, I would always say, it was like talking to the character Annie Hall,