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Curator Orlando Ochoa reflects on the tours at Escenas with visitors of all ages sharing personal stories or being moved to tears.

Curator Xavier Robles Armas underscores the impact of each artist in the show contributing to contemporary conversations in photography.

Artists in Escenas ask each other questions about their methods, for example both Ashley Peña and Andina Marie Osorio use metal fabrication as part of their works in the show.

Diana Guerra's work was produced following an alternative method in photography called anthotype; the artist experiments with ancestral dying techniques with purple corn.

For this piece Ashley Peña repurposed an archival image of her grandmother taken in New York in 1993 while considering the role of plants in a Black diasporic context.

Andina Marie Osorio works with metal as a way to present assemblages showing contemporary work in conjunction with familial archive. This work is anchored in a family member's annotated Hertz rental car map.

Damon Casarez draws on family albums and lived experiences to reimagine and restate scenes from his upbringing. This image was inspired by a family photo taken at his birthday party.

In Arlene Mejorado's work, the pool of a California apartment complex where she and her family used to live is transformed into a theatrical setting for her mother to re-embody an image of herself as a teenager.

Jose Ibarra Rizo's work considers the landscape of the new South -- such as this portrait on a makeshift soccer field with milpas in the background. What is it that we're cultivating?

In this family portrait of himself, his stepfather and sister, Steven Molina Contreras considers the different ways bodies are positioned in the context of departure and return, unbelonging and belonging.