Fabrice Lambert
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Fabrice Lambert
@lamfa.bsky.social
410 followers 120 following 290 posts
Photos only, and all photos are my own.
French Canadian 🇫🇷🇨🇦, French Army Veteran.

📍Quebec, Canada
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Week #2 of 52Frames: Rule of Thirds!

“Where the Sky Begins”.

#52frames #52frames_ruleofthirds #photography #blackandwhite #monochrome #minimalism #quebec #canada #eastcoastkin
A black and white photograph showing a row of tall evergreen trees in deep silhouette stretching horizontally across the lower portion of the frame. The trees form an uneven, jagged line, their narrow tops pointing upward like dark brushstrokes against the sky. Behind them, the sun sits low and partially hidden, its light diffused through thin cloud layers and filtered by branches, creating a soft halo rather than a sharp glare. The sky occupies most of the image and is filled with delicate, flowing cloud textures that resemble wisps of smoke or fine fabric pulled across the light. The tonal range shifts gradually from pale gray near the sun to darker grays higher up, giving the sky a sense of depth and quiet movement. The contrast between the dense black of the trees and the luminous sky emphasizes the separation between earth and atmosphere. A thin power line cuts diagonally across the left side of the image, faint but visible, introducing a subtle human element within the otherwise natural scene. The overall mood is calm and introspective, with no visible people or activity. The composition feels balanced and restrained, drawing the eye upward from the solid darkness of the trees into the expansive, textured sky, suggesting stillness, solitude, and the quiet passage of time.
January 12, 2026 at 3:12 PM
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Week #1 of 52Frames: Self Portrait!

"What Remains in the Light".

#52frames #52Frames_selfportrait #photography #blackandwhite #monochrome #minimalism #quebec #canada #eastcoastkin
A black and white self portrait shows a man from the shoulders up emerging from deep darkness. His bare upper torso and neck are softly lit, while the background dissolves into pure black with no visible detail. The light comes from one side, carving the contours of his face and leaving the opposite side partially submerged in shadow. His head is turned slightly toward the light, not fully facing the camera, creating a three quarter profile that feels contemplative rather than confrontational. His eyes are visible and focused into the distance, not looking directly at the viewer, suggesting introspection or quiet thought. Fine details of skin texture are clearly rendered: subtle lines on the forehead, the grain of the cheeks, and the natural irregularities of age. His short hair is brushed back and gently illuminated along the top, catching highlights that separate it from the surrounding darkness. A trimmed beard and mustache frame his mouth and jaw, adding weight and maturity to the expression. The lighting emphasizes structure over softness, defining the nose, cheekbones, and brow with precision while allowing shadows to remain dense and expressive. The boundary between light and dark cuts through the face gradually, not abruptly, creating a sense of depth and emotional nuance. No accessories, clothing, or contextual elements are visible, reinforcing the feeling of isolation and focus on the subject alone. The overall mood is calm, restrained, and introspective. The photograph conveys presence without performance, vulnerability without exposure, and a quiet dialogue between light, shadow, and identity.
January 5, 2026 at 12:47 PM
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Week #52 of 52Frames: Redo!

"Within the Ornament".

I played with the seasonal theme to redo “Shallow Depth of Field”, or maybe it's “Self Portrait” 😅

#52frames #52Frames_redo #photography #blackandwhite #color #quebec #canada #eastcoastkin
A close, intimate view inside a decorated Christmas tree. Evergreen needles fill most of the frame, their plastic fibers rendered sharply in the foreground while the background dissolves into soft blur. At the center hangs a small, glossy red glass ornament. Its spherical surface reflects a distorted miniature scene: the photographer’s silhouette, camera raised to eye level, faintly visible within the curved reflection. Around it, silver tinsel arcs through the composition, catching points of warm and cool light that bloom into circular highlights. The shallow depth of field isolates the ornament, leaving surrounding branches, lights, and decorations softly out of focus, creating layers of green, gold, red, and white. The image feels enclosed and personal, as if the viewer is peering into a private space within the tree. The reflection transforms the ornament into a subtle self portrait, merging festive decoration with the act of looking, where the photographer exists only as a fragile, curved echo inside the scene.
December 29, 2025 at 1:36 PM
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Week #51 of 52Frames: Fill The Frame!

Life with a Dog...

#52frames #52frames_filltheframe #photography #blackandwhite #monochrome #minimalism #quebec #canada #eastcoastkin
A black and white, tightly framed close-up fills the entire image with the surface of a knitted fabric, likely a sweater or blanket. The weave is clearly visible, forming vertical ridges that run from the top to the bottom of the frame, creating a strong sense of rhythm and repetition. Caught in the fibers are numerous fine, pale dog hairs, some short and embedded, others longer and lightly curved, resting on the surface like delicate lines drawn at random. The shallow depth of field keeps most of the texture crisp while allowing subtle softness toward the edges, emphasizing tactility. Light grazes the fabric from the side, revealing the relief of the knit and the contrast between the dark textile and the lighter hairs. There is no visible background, no context beyond the material itself, reinforcing the “Fill the Frame” theme. The image transforms an ordinary domestic detail into an abstract landscape of texture and traces, suggesting presence through absence. The scattered hairs quietly imply the daily coexistence with a dog, not through depiction, but through what it leaves behind.
December 22, 2025 at 1:38 PM
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Week #50 of 52Frames: Nature!

Snow settles in gentle layers on a dark tree trunk as flakes fall through a silent forest, a quiet moment where winter reveals nature’s patience.

#52frames #52Frames_nature #photography #blackandwhite #monochrome #minimalism #quebec #canada #eastcoastkin #nature
A black and white photograph of a winter forest scene. In the foreground, a single tree trunk stands slightly off center to the right, its rough bark sharply detailed. Several horizontal bands of fresh snow cling to the trunk, resting naturally on ridges and crevices, as if gently placed by gravity and wind. The snow appears soft and uneven, contrasting with the dark, deeply textured bark beneath it. Fine snowflakes are visible falling through the frame, captured mid air as small white specks. In the background, a dense stand of trees recedes into soft focus, their vertical trunks forming pale, blurred lines that create depth without distraction. The ground is covered in snow, blending into the lower background and reinforcing the quiet uniformity of the winter setting. The overall mood is calm and restrained. There are no human traces, footprints, or signs of disturbance. The monochrome treatment emphasizes texture, contrast, and form rather than color, highlighting the relationship between wood, snow, and time. The image conveys stillness, seasonal passage, and the quiet persistence of nature during winter.
December 15, 2025 at 6:01 PM
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Week #49 of 52Frames: Shoot From The Hip!

Shot from waist height while walking, I capture my dog mid discovery, head in the snow, as the winter field unfolds around us.

#52frames #52frames_shootfromthehip #photography #blackandwhite #monochrome #iphonephotography #quebec #canada #eastcoastkin
A snowy field stretches wide under a pale winter sky, its surface marked only by a faint path pressed into the powder by earlier footsteps. The perspective is low and instinctive, as if captured mid stride without premeditation, which enhances the feeling of immediacy at the heart of a shoot from the hip approach. In the center of the frame, a dog stands half buried in the snow, muzzle deep, body arched with curiosity. The harness on its back creates a dark contrast against its pale coat and the surrounding whiteness. The dog’s absorbed posture brings a quiet intimacy to the scene, as if the camera stumbled upon a small private moment of exploration. Around it, the landscape remains silent and untouched. Sparse reeds poke through the snow, fragile and thin, while the distant line of trees and houses draws a dark horizontal band near the horizon. Above them rises a towering electrical pylon, its lattice of steel faintly dissolving into the grey sky. The composition, wide and slightly tilted, feels spontaneous and uncorrected by intention, which becomes part of its charm. It conveys the sense of a winter walk where the photographer reacts to the world as it unfolds, letting the scene imprint itself without seeking control. The result is an image that mixes solitude, playfulness, and the humble rhythm of a moment observed from the waist level of a wandering human companion.
December 8, 2025 at 1:10 PM
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Week #48 of 52Frames: Architecture!

At the MNBAQ (Musée national des beaux-arts du Québec), the staircase creates a harmonious dialogue between curve, structure and space.

#52frames #52Frames_architecture #photography #blackandwhite #monochrome #minimalism #quebec #canada #eastcoastkin #mnbaq
A black and white photograph taken from an elevated viewpoint inside the MNBAQ, the Musée national des beaux arts de Québec. The image captures a sweeping architectural staircase that curves gracefully through the frame, forming an almost sculptural loop of clean lines and soft shadows. Seen from above, the staircase reveals its full geometry, with wide steps fanning out in a smooth arc and a transparent glass railing tracing the curve like a fine thread of light. The structure descends toward a circular void at its center, where the lower level disappears into darkness, emphasizing the depth and fluidity of the design. Around the staircase, the building’s interior unfolds in sharp, modern planes: large windows set in angled steel beams bring in a diffuse daylight that brightens the upper part of the image and casts subtle reflections on the glass surfaces. The contrast between the bright exterior light and the quieter interior tones enhances the sense of movement and space. No people are visible, giving the scene a quiet, contemplative mood, as if the staircase were a suspended architectural gesture waiting to be explored. The interplay of curves, glass, and structural lines creates a feeling of elegance and calm, highlighting the modern, airy character of this wing of the museum.
December 2, 2025 at 1:34 PM
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Week #47 of 52Frames: Sports Photography!

I framed the rower’s water tank in motion, catching the swirl of the vortex and the warm wood glow to show the energy behind each pull.

#52frames #52Frames_sportsphotography #photography #color #minimalism #quebec #canada #eastcoastkin
A color photograph captures the heart of a water resistance rowing machine in mid-motion, seen in a tight, horizontal close view that focuses on the swirling tank. The machine’s warm wooden frame glows softly under ambient indoor light, its honey tones contrasting with the cool transparency of the water chamber. Inside the cylindrical tank, paddles churn the water into a rapid vortex, creating layered textures of turbulence, ripples, and refracted reflections. The rotating black paddle stands out clearly, half submerged and half blurred by motion, giving the impression of steady athletic effort just outside the frame. Light passes through the water and the acrylic shell, producing highlights that shimmer along the bottom curve of the tank like fractured glass. Above the chamber, belts and pulleys stretch across the top of the frame, hinting at the mechanical rhythm of rowing. A small caution label sits just above the waterline, adding a subtle touch of realism and equipment detail. The background, rendered in muted browns and grays, stays softly out of focus and allows the viewer’s attention to rest on the dynamic swirl of water. The overall effect blends craftsmanship, motion, and the quiet intensity of indoor training, turning a simple exercise machine into a vivid study of movement and force.
November 25, 2025 at 1:54 PM
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Week #46 of 52Frames: Black And White Minimalism!

A can of maple syrup is more than a pantry item. It's a symbol, a quiet kind of pride. It carries the weight of identity.

#52frames #52Frames_blackandwhiteminimalism #photography #blackandwhite #monochrome #minimalism #quebec #canada #eastcoastkin
A single metal can of maple syrup stands on a rough wooden surface, illuminated by a thin, focused beam of light that cuts through an overwhelming sea of darkness. The scene is stripped to its essentials, with the can becoming both subject and anchor in an otherwise empty expanse. Its ridged surface catches the light in soft ripples, revealing delicate vertical highlights that curve with the cylindrical form. The printed text on the label is faintly legible, hinting at its Canadian origin, yet it remains secondary to the interplay of tone and texture. The wooden platform beneath it shows raw grain and uneven edges, adding an organic counterpoint to the clean industrial lines of the can. Everything beyond this small island of objects dissolves into deep black, creating a void that amplifies the solitude of the subject. The composition embraces extreme negative space, allowing stillness to bloom where detail fades. The photograph balances austerity with warmth, inviting contemplation of the ordinary through pure contrast, shadow, and quiet restraint.
November 17, 2025 at 1:05 PM
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Week #45 of 52Frames: Show Us Your Toys!

For a long time, all the automation and technical perfection had taken the joy out of creating an image. These lenses brought it back.

#52frames #52Frames_showusyourtoys #photography #blackandwhite #monochrome #minimalism #quebec #canada #eastcoastkin
Three camera lenses rest side by side on a clean desk, their polished metal and glass gleaming softly under natural light. Each lens faces the viewer directly, forming a quiet row of dark circles, three reflective eyes, each holding its own small world within. In the central lens, the foot of a computer display appears inverted and crisp, perfectly framed inside the curvature of the optics. It anchors the image in the workspace, the place where vision takes form, where thought and creation begin. The two other lenses, slightly larger, reflect more abstract shapes: the play of light across a keyboard, the geometry of a desk, the subtle blur of background shadows. Rendered in black and white, the photo is stripped of distraction, emphasizing line, reflection, and tonality. Around each lens, the engraved lettering: TTArtisan, 10mm,35mm, 50mm, carries a quiet sense of identity, like signatures of craft. The composition is minimalist but intentional, balanced between symmetry and individuality. These lenses are not trophies or luxury objects; they are instruments of return: symbols of slowing down, of feeling again the friction of manual focus and the deliberation of framing by hand. The light is calm and diffused, suggesting the intimacy of a studio or desk where the photographer rediscovers the joy of effort. This still life captures the poetry of process itself: the rebirth of vision through the simplicity of touch, patience, and control. It’s not a portrait of equipment, it’s a portrait of the artist’s rekindled relationship with seeing.
November 10, 2025 at 9:33 PM
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One #evening at the summit of La Dent d’Oche, a goat has paused in its ascent, surprised by the late presence of a human 🙂

#photography #color #nature #mountain #france #eastcoastkin #blueskyartshow
At the summit of La Dent d’Oche in France, a mountain goat stands facing the camera, its silhouette outlined by the dimming light of evening. Behind it, Lake Geneva stretches far below, its surface reflecting the pale glow of the descending sun. The air is filled with the soft hues of dusk, rose, blue, and gold blending into a quiet haze. The goat’s gaze meets the viewer’s, calm yet alert, as if it has paused in its ascent to acknowledge this shared moment at the edge of day. The backlight outlines the texture of its fur, each strand kissed by light, while the foreground is scattered with alpine grasses and reddish moss catching the same golden tone. Far beyond, the world fades into distance, villages, hills, and the lake melting together in the stillness. There’s an intimate sense of presence: a creature of the mountain standing between solitude and serenity, evening and night, earth and sky.
November 8, 2025 at 10:07 PM
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Week #44 of 52Frames: Your Worst Nightmare!

Home invasion. A gloved hand with a cold blade. Shadows and silence merge. The room itself holds its breath at the edge of intrusion.

#52frames #52Frames_yourworstnightmare #photography #blackandwhite #monochrome #minimalism #quebec #canada #eastcoastkin
A gloved hand emerges from the darkness, gripping a combat knife with cold precision. The hand, wrapped in black leather, catches a single beam of harsh light, every seam of the glove glistening faintly like sinew under tension. The blade itself, metallic and serrated, leans diagonally upward, half lit, half swallowed by shadow. Its surface is worn, textured by use, reflecting a dim silver glow that hints at movement beyond the frame. Behind it, a pale wall becomes a silent witness. A flat, indifferent canvas where the knife’s shadow stretches long and distorted, echoing the weapon’s outline like a ghostly twin. The composition is stark: light and dark split the image cleanly, the black void on the right contrasting violently with the illuminated wall on the left. The edge of what seems to be a doorway marks a threshold: an intrusion, a crossing from safety into dread. No figure is visible beyond the hand; it’s as if fear itself were taking form, creeping quietly into a domestic space. The photograph’s atmosphere is tense and claustrophobic, yet meticulously composed. It evokes the stillness before impact, the silence that follows the breaking of boundaries, when the ordinary world is pierced by something cold, deliberate, and unseen. In the contrast between metal and leather, shadow and wall, the image captures not an act of violence, but the anticipation of it; an emotional freeze-frame of terror and control, precise as a nightmare that feels too real to wake from.
November 3, 2025 at 1:11 PM
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An evidence of the passage of time, sure tale of the end of summer evening.

#photography #color #nature #iphonephotography #eastcoastkin #blueskyartshow #autumn
A close-up photograph of a single dry, curled leaf resting on a rough, sunlit surface, surrounded by other fallen leaves slightly blurred in the background. The leaf’s pale brown veins are sharply defined, its texture brittle and delicate, showing the marks of time: small tears, curled edges, and a paper-like fragility. The warm light of autumn afternoon caresses its contours, creating deep shadows that give it a sculptural presence against the stone ground. The perspective is intimate, shot from low level, placing the viewer almost eye-to-eye with the fallen leaf, transforming what might be ordinary into a moment of quiet reverence. The background softly dissolves into warm hues of ochre and muted amber, evoking the comforting melancholy of late autumn days. There’s no wind, no motion. Just stillness, silence, and the subtle poetry of decay. The photograph speaks of cycles and memory: the end of a season, the fading of warmth, the beauty in what remains behind. It invites reflection on impermanence and the dignity of small things, showing that even in their final moments, leaves can hold light and grace. The image feels tactile, intimate, almost meditative. A pause before winter arrives, a visual whisper about time passing and the quiet resilience of nature in decline.
November 1, 2025 at 12:46 PM
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Week #43 of 52Frames: Centered Composition!

Only a flame that calls us again and again, until nothing remains but its quiet light, centered, and center of our focus.

#52frames #52Frames_CenteredComposition #photography #blackandwhite #monochrome #minimalism #quebec #canada #eastcoastkin
A minimalist black-and-white photograph features a single candle centered perfectly within the frame, its steady flame rising vertically against a deep, unbroken black background. The composition is symmetrical and deliberate, every element converging toward the middle, emphasizing balance, calm, and focus. The candle’s body, slightly uneven at the top where melted wax has pooled and hardened, anchors the image at the bottom edge. Its wick, half-consumed and curved, burns with a sharp, elongated flame that fades softly from bright white at the core to gentle gray tones near the edges. The absence of any other detail amplifies the purity of the scene: no context, no distraction; only light, shadow, and form. The photograph embodies the theme “Centered Composition” in its purest expression: a meditation on simplicity and alignment. The candle’s flame, perfectly vertical, divides the image into two equal halves, creating a sense of visual and emotional stability. The high contrast between the luminous flame and the dark void surrounding it evokes introspection, an image of focus and inner quiet. It feels like a visual breath, suspended in stillness. The symmetry isn’t cold or rigid; rather, it suggests serenity and presence, as though the image itself were an exercise in mindfulness. Each subtle texture, the soft gradation of light, the delicate imperfections of wax, contributes to an intimate visual rhythm. In its silence and precision, the photograph turns the act of looking into contemplation, inviting the viewer to rest their gaze at the center, where light is born from darkness.
October 27, 2025 at 6:03 PM
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Not the eye of Sauron! But a mesmerizing interplay of architecture, geometry, light, and shadows #Inside the Nordstrom atrium in San Francisco.

#photography #blackandwhite #monochrome #eastcoastkin #urban #city #sanfrancisco #blueskyartshow
A black-and-white photograph taken from the ground floor of the Nordstrom atrium in San Francisco, looking straight up toward the glass dome ceiling. The image captures the concentric architectural layers of the multi-level building, each floor forming sweeping elliptical curves that spiral upward around a central void. The symmetry is mesmerizing, an interplay of geometry, light, and shadow. The luminous dome, segmented like the petals of a stylized flower, glows softly at the apex, drawing the eye inexorably upward. Around it, the curved balconies, their railings catching highlights, recede into the distance, giving a sense of infinite ascent. The word “NORDSTROM” appears vertically on two sides, framing the scene and anchoring it in place. The monochrome palette accentuates the contrast between the illuminated ceiling and the darker edges, emphasizing structure over color and inviting contemplation. The perspective gives the impression of standing inside a giant optical illusion, both enclosed and infinite. A perfect metaphor for the theme “Inside”: being within a constructed space that feels at once protective and open, intimate yet vast. The photograph captures a moment of quiet awe, the architectural rhythm transforming the everyday interior of a department store into a cathedral of light and form.
October 25, 2025 at 5:50 PM
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Week #42 of 52Frames: Shadows!

A pumpkin glows unseen, its shadow grinning on the wall, light and darkness trading faces in a quiet Halloween reverie.

#52frames #52frames_shadows #photography #color #minimalism #quebec #canada #eastcoastkin
A low-light, atmospheric photograph of a carved pumpkin, partially visible in the lower left corner of the frame. The focus is on its curved stem, softly illuminated by a warm orange glow emerging from within the pumpkin’s hollow body. The rest of the pumpkin fades into darkness, leaving only this fragment, a quiet suggestion rather than a full reveal. On the wall behind it, out of focus yet powerfully present, a large shadow looms: the distorted projection of a jack-o’-lantern’s face. Two elongated eye shapes, a rounded nose, and a broad, tooth-like grin are cast in pale, ghostly light across the dark background. The forms blur and ripple, more spectral than defined, evoking both playfulness and unease. The shadow seems alive, breathing slightly in the grain of the light. The photograph captures that fleeting boundary between the tangible and the imagined, where the material pumpkin gives birth to its own intangible twin. The interplay between sharp foreground and diffused background transforms the simple Halloween motif into a study of perception and duality: how light carves meaning out of darkness, how a shadow can be more expressive than the object that casts it. The composition’s restraint, the cropped pumpkin, the dominance of negative space, the soft gradation of tones, heightens the sense of mystery. It invites viewers to look beyond the familiar seasonal image and to see instead a meditation on presence, absence, and the ghostly echoes of light. The result is an image both festive and introspective, where Halloween’s mischief dissolves into quiet contemplation.
October 20, 2025 at 4:49 PM
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Week #41 of 52Frames: Time!

With a 15 minutes of exposure time, the clock dissolves into silence. Time no longer counted, only felt, fading softly into the white expanse of its own eternity.

#52frames #52frames_time #photography #blackandwhite #monochrome #minimalism #quebec #canada #eastcoastkin
A minimalist black-and-white photograph depicting a small modern clock placed on a smooth, almost luminous white surface. The clock sits in the lower left of the frame, its dark, geometric body contrasting sharply with the surrounding expanse of emptiness. The background fades softly from light gray to pure white, creating a sense of depth and quiet infinity, like a horizon made of silence. The clock’s circular face, glossy and dark, shows faintly blurred hands, the long exposure has erased their precision, leaving behind a spectral trace of motion, as if time itself were slipping away. The numbers are still visible, yet their purpose feels undone: they no longer mark measurable hours but become quiet witnesses to duration. Light falls from above and slightly to the right, sculpting delicate shadows along the clock’s edges and grounding it within the weightless space. Nothing else occupies the scene, no distraction, no sign of life, only this silent dialogue between black form and white void. The photograph feels meditative, almost existential, inviting the viewer to contemplate the passing of time not as something to be counted but as something to be felt. The stillness of the composition, coupled with the ghostly blur of the clock’s hands, transforms the mundane object into a symbol of impermanence, of the moments we try to hold yet inevitably lose. It’s an image that captures both the precision and futility of human attempts to measure eternity, a quiet monument to the beauty of transience and the serenity of surrendering to time’s flow.
October 13, 2025 at 5:20 PM
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Week #40 of 52Frames: Texture!

Texture as history, and not just as form, with this old address label on a century-old leather and wood travel chest.

#52frames #52frames_texture #photography #fujifilm #color #monochrome #minimalism #quebec #canada #eastcoastkin
A torn label clings to the century-old surface of the travel chest, the last remnant of an address once carefully inked by hand. Its paper, now brittle and frayed, peels away like skin remembering warmth. The faint, sepia lines of script, “Monsieur…” and a ghost of a street name, whisper of departures long past. The ink has faded into the fibers, merging with the dust of the years, while the surrounding leather darkens into deep earth tones, cracked and rough like dried riverbeds. Side lighting sweeps across the scene, tracing each contour, revealing not just texture but the weight of time. The light grazes the edge of the paper, turning decay into relief, making the simplest crack feel monumental. What was once practical, a tag for direction, identity, destination, has become pure archaeology of human presence. The photograph lives between memory and matter. It speaks of journeys before digital borders, when names were written, not scanned; when distance had texture and the unknown smelled of salt and rust. Every tear, every crease holds the echo of touch, the careful press of fingers gluing this label in place, the abrasion of countless miles wearing it down. Now, only fragments remain: the ghost of a name, the breath of ink, the soft sigh of the past. The chest has become a reliquary of movement and silence, and the image, a meditation on endurance, how even paper, fragile as it is, can outlast memory itself. The photograph doesn’t simply show texture; it listens to what the material world murmurs when time itself becomes part of the surface.
October 6, 2025 at 11:54 AM
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Week #39 of 52Frames: Soundtrack!

Microphone and headphones poised in silence. Tools of a soundtrack waiting to fill the blank space with music, story, and sound.

#52frames #52Frames_soundtrack #photography #blackandwhite #monochrome #minimalism #quebec #canada #eastcoastkin
This black-and-white photograph presents a stark, high-contrast portrait of the tools of recorded sound: a large diaphragm microphone suspended in a shock mount and a pair of closed-back monitoring headphones hanging alongside it. Shot in crisp silhouette, the image isolates the essentials of a studio environment, stripping away everything except shape, shadow, and form. On the left, the microphone rises like a vertical pillar of sound, its foam windscreen softly rounded at the top. The shock mount’s delicate metal arms form an intricate geometric web that contrasts with the smooth curves of the headphones. The headphones’ ear cups, padded and circular, tilt downward as though waiting to be worn; the label “Monitoring Headphone” appears in tiny text, grounding the viewer in the world of audio production. The entire right side of the frame is empty, an expanse of pure white negative space, visually echoing silence or blank sheet music, and at the same time offering space for album art text, a track list, or the artist’s name. This tension between the dense black shapes on the left and the open void on the right mirrors the experience of listening itself: the intimate world inside the headphones versus the infinite space of imagination. The theme “Soundtrack” resonates here not as a finished piece of music but as the machinery behind it, the quiet anticipation of the first note before the record button is pressed. The image invites the viewer to imagine the unseen artist, the unplayed melody, the as-yet unwritten score. It’s an homage to the tactile side of sound creation: microphone, headphones, wires, where music begins as vibrations and ideas, then fills the silence with story.
September 29, 2025 at 2:08 PM
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A guidebook glowing like a talisman under electric light, promising encounters, detours, and memories to come on #TheRoad of a distant island...

#photography #color #travel #quebec #canada #eastcoastkin #blueskyartshow
In the photograph, a French travel guidebook, Le Guide du Routard - Madagascar, lies partly tucked into a dark denim pocket, its thick pages catching a cold blue-violet light. The bold word “routard” dominates the cover like a headline to adventure, paired with “Madagascar,” a name that conjures distant islands, winding roads, and red-earth horizons. The textured jeans, with their seams and folds, evoke rugged terrain and dusty tracks, as though the fabric itself were a map of yet-to-travel paths. The ultraviolet glow gives the scene an otherworldly feel, like neon light spilling from a roadside motel at dusk or the glow of a dashboard during a night journey. The cover photo of a person in a doorway, printed small beneath the title, brings a human presence and a hint of intimacy to the otherwise bold, graphic cover, an image of the everyday life one might encounter on the road. This combination of textures, typography, and lighting suggests the liminal space between preparation and departure: the quiet moment before the road trip begins, when maps are folded and guides are slipped into pockets. The photograph speaks to the theme “The Road” not only as a literal path across Madagascar but as a state of mind: freedom, curiosity, anticipation, and the soft hum of possibility. The angle of the shot, looking down at the guidebook as though seated in transit, echoes the feeling of holding your own belongings on a train, a bus, or at a remote roadside café, poised on the edge of movement. It’s a portrait of wanderlust distilled into a single object: a guidebook glowing like a talisman under electric light, promising encounters, detours, and memories to come.
September 27, 2025 at 2:31 PM
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Week #38 of 52Frames: One Light Source!

When the news feels like darkness closing in, remember: one thoughtful light is stronger than a thousand flickers.

#52frames #52Frames_onelightsource #photography #blackandwhite #monochrome #minimalism #quebec #canada #eastcoastkin
A black-and-white photograph where darkness dominates the frame, interrupted only by a single glowing light bulb at the top and a book beneath it, as if spotlighted on a stage. The scene is composed with dramatic contrast: a square wooden surface with a small metallic screw protrudes at the top edge, anchoring the bulb’s base, while the rest of the background plunges into velvety black. Below the bulb, slightly angled yet perfectly legible, lies the book The Subtle Art of Not Giving a Fck* by Mark Manson. Its bold black typography on a muted gray cover stands out starkly against the surrounding void. The book’s subtitle, “A Counterintuitive Approach to Living a Good Life”, is also clearly visible, reinforcing the theme of guidance or illumination. The lamp’s soft glow casts a faint pool of light around the bulb and the upper edge of the book, leaving the lower portion to merge into shadow. The composition creates a striking metaphor: the physical light source above suggests clarity, knowledge, and focus, while the book below becomes a “light source” for the mind. This interplay of literal and symbolic light evokes a sense of introspection, inspiration, and a singular moment of discovery, like an idea emerging from darkness. The photograph’s minimalist style, high contrast, and restrained geometry heighten the emotional weight, making the viewer feel as though they are witnessing a private ritual of learning or an altar to self-awareness.
September 22, 2025 at 10:52 PM
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Week #37 of 52Frames: Out of Place!

A lone pen, out of place in a digital world, surrounded by fading screens, a relic of ink and (real) touch amid a world of glowing keys and pixels.

#52frames #52Frames_outofplace #photography #blackandwhite #monochrome #minimalism #quebec #canada #eastcoastkin
A stark black-and-white photograph where a single pen becomes the protagonist of a digital workspace. The frame is dominated by a wide expanse of pale desk, lit by a concentrated pool of light, while everything else recedes into deep shadow. At the center of this spotlight lies a dark wooden fountain pen with a silver tip and its cap detached, both angled slightly apart, like a pause in motion or a moment of abandonment. Behind the pen, the outlines of a keyboard and a tablet fade into semi-darkness, their screens and keys only faintly visible. The dramatic lighting isolates the pen as though on stage, transforming it from an ordinary writing instrument into a relic from another era. This striking contrast between analog and digital speaks of a forgotten tactile world amid sleek, glowing technology. The image captures tension and nostalgia: the smooth, reflective textures of metal and wood glint softly, while the plastic keys and glossy screen retreat into anonymity. Negative space amplifies the sense of isolation, as though the pen has been left behind, "out of place", yet defiantly present. It is a meditation on time, change, and the enduring weight of the written word in a landscape of ephemeral pixels.
September 15, 2025 at 12:32 PM
lamfa.bsky.social
Week #36 of 52Frames: Shoot From Above!

Bare feet on asphalt, shadow stretched with camera in hand; a self-portrait from above, where presence is defined by absence and light shapes identity.

#52frames #52Frames_shootfromabove #photography #blackandwhite #monochrome #quebec #canada #eastcoastkin
A stark black-and-white photograph taken from above, where shadow, texture, and human presence intertwine. At the center-left of the frame, the elongated silhouette of a person stretches across rough asphalt, cast sharply by a high sun. The figure is holding a camera or phone in their hand, the device raised, capturing the very scene we are now observing, a reflexive moment where subject and photographer collapse into one. Below, just outside the shadow’s reach, bare feet stand firmly on the ground, toes splayed naturally, grounding the image in both vulnerability and authenticity. To the right, the composition shifts: two stone tiles break through the dark patch of grass, squares of order interrupting the organic chaos of nature. The play of light and darkness defines the atmosphere: the shadow is deep and heavy, almost ink-black, while the textures of asphalt, grass, and stone emerge in crisp detail. Emotionally, the image speaks to self-awareness and presence, the artist revealed not by face but by absence, by shadow. It is a quiet meditation on perception, existence, and the intimate connection between photographer, subject, and the simple act of standing still to observe. The high-contrast tones enhance the surreal quality, turning the ordinary into a statement on perspective. This “shoot from above” is not only about the view downward but also about looking inward, confronting the delicate intersection between identity and the world beneath one’s feet.
September 8, 2025 at 9:19 PM
lamfa.bsky.social
Symmetry in steel, pylons framing each other like Matryoshka dolls.

#photography #blackandwhite #monochrome #xp4n #iphonephotography #quebec #canada #eastcoastkin #stunday
This black-and-white photograph transforms the rigid geometry of electrical pylons into an abstract study of symmetry. At the forefront, a towering steel structure dominates the frame, its latticework of intersecting beams forming a complex grid of triangles, diamonds, and lines. The lines are not chaotic but deliberate, each angle mirrored by another, creating a visual rhythm that pulls the eye toward the center. Through this massive frame, another pylon appears in the distance, perfectly aligned within the opening of the first. The smaller structure echoes the larger one, its triangular arms and suspended cables repeating the same visual language but on a smaller scale. This layered alignment reinforces the theme of symmetry, not just in the design of the pylons themselves, but in their perspective arrangement, one nested inside the other. The suspended power lines curve downward like measured arcs, adding softness to the otherwise rigid construction, their balanced sweep enhancing the sense of harmony in the composition. The background sky is pale and overcast, stripped of detail, so that the bold black lines of the pylons stand out in stark contrast, carving shapes into the emptiness. The photograph takes something purely functional, an infrastructure of power transmission, and reveals its hidden elegance. What is normally overlooked as industrial becomes almost architectural art, where precision and necessity give rise to beauty. The symmetry here is not just mathematical but philosophical: a reminder that order can be found even in the utilitarian, and that human-made structures can resonate with a quiet, unintended grace.
September 7, 2025 at 3:05 PM
lamfa.bsky.social
Quebec City’s towers rise in shadow, framing a restless sky where clouds and light outlast the city’s steel and stone.

#photography #blackandwhite #monochrome #fujifilm #quebec #canada #eastcoastkin #cityscape
This black-and-white photograph presents a dramatic urban scene in Québec City, where the silhouette of tall modern buildings cuts sharply against a textured sky. The towers rise like dark, monolithic forms, stripped of detail by shadow, creating a canyon of architecture that narrows toward the horizon. Their geometric shapes, stark and unyielding, dominate the composition, reducing the human presence below to faint traces. Between the vertical walls of these buildings, the sky becomes the stage. Clouds gather in thick, rolling masses, luminous against the darker tones of the city. Their soft, sculpted forms stand in striking contrast to the rigid, angular outlines of the towers. It is as if the eternal and shifting drama of the sky were being framed, even constrained, by the permanence of concrete and steel. Along the street below, a line of cars can be glimpsed, headlights glinting faintly in the dim light. This thread of motion suggests the persistence of urban life, traffic flowing, people moving, the city’s pulse continuing, though dwarfed by the scale of the architecture and the looming sky above. The image distills the atmosphere of Québec City into something both powerful and contemplative: a place where history and modernity overlap, where human structures reach upward yet remain dwarfed by nature’s immensity. The mood is almost cinematic, a study in contrasts between light and darkness, stillness and movement, solidity and ephemerality. The photograph captures not only a cityscape but also an emotion: the feeling of standing in the midst of the urban world and looking upward, caught between earth and sky, permanence and change.
September 5, 2025 at 3:33 PM