- @pietepiet.com for all the in-game art, and the idea to do C-skins in the first place.
- @jukio.bsky.social for a brand new boss track that slaps harder than a shovel.
- @kissakolme.bsky.social for the new SFX and somehow being able to record an underwater bicycle ringer.

Yeah :D my whole next year is still a complete mystery for me, have nothing booked 😅

🙌🙌Rad!! I have no idea yet to be honest 😅 big maybe!

hahahah

Cursed!

Now that would be something!

(although the Tarkovsky STALKER movie as well as originally the STALKER games were huge inspirations for this too, this started as a stalker-ish idea first but then due to a shooting bug I discovered this idea and this just felt more fun to me so I went with this :D)

Yesssss!!! NaissanceE and Babbdi were huge influences on this from both a visual aspect as well as a game where it's something "a little different" :)

(oh, this game is not the same as the previous post from today :D but real glad about this one too, also something a lil different for me for sure)

for a longer and more better quality video, sadly one has to visit this other social media site similar to this one: x.com/KissaKolme/s...

ooooof that bluesky compression is nasty :D I apologize

Sure hope we make one :D this time quite out of my hands!

Thanks!! Yeah I can't wait for when it's done & out :) been a real cool project to learn from as well as to contribute to!

(What this means in practise is that a lot of the melodic instruments and "synths" and even vocal-like things or percussions etc might actually be made out of weird stretching artifacts or feedback oscillation, distortion being distorted tenfold to find the weirdest sounds :D)

I don't know if this interests anyone but most of the sounds in this soundtrack were made out of extreme stretching and editing sounds, pushing them through various different forms of distortion be it tubes, amplifiers, pedals, modelers, weird digital errors etc :) fun stuff!

🤘😈🤘