It’s about weaponised incompetence & casts audiences as the hapless boyfriend – and it is BRILLIANT. I got involved because it’s the sharpest, cleverest use of audience participation I’ve ever seen.
It’s about weaponised incompetence & casts audiences as the hapless boyfriend – and it is BRILLIANT. I got involved because it’s the sharpest, cleverest use of audience participation I’ve ever seen.
me, scalp scalded, skull on fire, steam rising from my head like the breath of a dragon: fine thanks 🙂
me, scalp scalded, skull on fire, steam rising from my head like the breath of a dragon: fine thanks 🙂
newyorktheater.me/2025/05/17/n...
newyorktheater.me/2025/05/17/n...
Kirsty will be joined by Gregory Doran, Heidi Vaughan & Polly Davis to discuss why the arts are more important than ever
🗓️ Fri 6 June, 6-9pm
📌 Arts Complex
🎟️ bit.ly/4dhrpaY (free!)
Kirsty will be joined by Gregory Doran, Heidi Vaughan & Polly Davis to discuss why the arts are more important than ever
🗓️ Fri 6 June, 6-9pm
📌 Arts Complex
🎟️ bit.ly/4dhrpaY (free!)
Theatre Fandom:
Engaged Audiences in the Twenty-first Century
Editor(s) Kirsty Sedgman, Francesca Coppa & Matt Hills
uipress.uiowa.edu/books/theatr...