KDMの妄想が読めるのは音楽・ＫＤＭ･意識だけ！ (画像のAmazonリンク切れはちょっとずつ対応中)

1929 – 2005 Never ceasing to investigate, Luc Ferrari leaves behind a body of work by turns exalting, noble, funny, intimate, and nocturnal. Like a mirror turned toward the Other, it reflects the wor...

Qobuzでリュック・フェラーリによる%tiitle%をハイレゾ音質で聴く、またはダウンロードする サブスクリプションは¥1,280/月から

YouTube video by 夏川りみ１8歳。可愛いかった高校時代

Recorded in August 2022 at concerts given in Hamburg's Elbphilharmonie by the Philharmonisches Staatsorchester Hamburg under Kent Nagano, this version of Johannes Brahms's celebrated choral masterpiece will come as a surprise to many. The German Requiem is heard not in it's usual seven-movement version, but rather as it was first performed in Bremen Cathedral on 10th April 1868 (Good Friday) under Brahms's direction, without the fifth movement for soprano and choir that was completed later that year. On the other hand there are numerous interludes, instrumental and vocal, secular and sacred, by Bach, Tartini, Schumann and Handel - including pieces that were then regarded as essential parts of a Good Friday concert. Such a programme might seem unusual today, but these musical additions shed new light on Brahms's work, which in this version manifests itself as what Umberto Eco might have described as an 'open work'.Presenting the work in the form heard at the Bremen premiere is more than just a reconstruction: it enriches our understanding of this unique music.