and musical style.

We accept proposals for individual papers of 20 minutes. Please submit a 250-word abstract to <brokensong@mu.ie>

musical practice and/or the creative process
- The production process for music books (and the roles of individuals, institutions and patrons in the making of music books)
- Documentary/archival evidence for musical communities
- Notational technologies
- Correlations between musical notation

This two-day conference seeks to stimulate discussion centring on the materialities of music-making between the twelfth and fourteenth centuries. While BROKENSONG focuses on Insular polyphonic sources, we welcome comparative perspectives that look beyond Britain

- Notational technologies
- Correlations between musical notation and musical style
We accept proposals for individual papers of 20 minutes. Please submit a 250-word abstract to <brokensong@mu.ie>

, musical practice and/or the creative process
- The production process for music books (and the roles of individuals, institutions and patrons in the making of music books)
- Documentary/archival evidence for musical communities

and Ireland and/or draw upon non-polyphonic traditions. We invite proposals that engage with any of the following themes in the period c.1150–c.1350:
- Music fragments, their afterlives, and their reconstruction
- The intervention of literate musical culture in communal ritual activities

‘En plein air’ of course - excuse the unnoticed autocorrect above!! here’s the conference webpage and the full title ‘En Plein Air: Soundscapes of Ritual and Festivity in Europe
and beyond from the Middle Ages to the Present’: www.luigiboccherini.org/2024/09/20/e...

I love Hugh Aston - sorry to have missed it!

Totally agree! I learned so much working with you both!