Though I agree with (and would even generalize) this grievance, and typically avoid "classical" arrangements - my guess is that this is simply so the audience recognizes it as "classical." Nevermind the fact that such musical features can and have been part of orchestral music for many years...

Consider taking advantage of it. And, though my catalogue is up there, I'd encourage you to "shop around" and enjoy the great depth and variety of art. Whether you buy it or not, allow it to perturb your neurons for awhile.

In a few hours #BandcampFriday starts - it is either a noble gesture from a sincere actor, or hollow posturing from a corporate pretender.

Or, most likely, a bit of both.

Regardless, it's an opportunity to support others, in a world where that is not commonly incentivized.

But for many artists, Bandcamp is still a pragmatic choice. It is a rare bridge between aesthete and mainstream, and still gives far more money to artists than most services.

One platform of some repute is Bandcamp. It is centralized, and has changed hands a few times of late, arguably to its detriment (leading to Faircamp).

This is organic, without any real promo on my part (I'm behind on uploads even). The music also gets licensed giving me a cut (what I call "reed money") - sometimes for cool things like interactive art exhibits.

Jamendo is worth a look and listen.

It's been awhile since I've streamed, looking forward to giving it a go. I'll be in the text chat for requests - note, requests should be for moods/ideas ("a hot summer night"), not specific songs.

Hope you join!

This seems like an ethics version of "would you rather fight a horse-sized duck or 100 duck-sized horses?"