Dantzig is here using game as a metaphor to make sense of the development of mathematics.

"Ilman sopivaa hitautta ja hankaluutta yliopistoyhteisön monet äänet ja näkökulmat eivät pääse mukaan keskusteluun, kunnioituksesta ja arvostuksesta kumpuava yhteistyö ei ole mahdollinen – eikä demokratia toimi."

"Samaan tapaan pieni hitaus tekee hyvää tempoilevan ja kiireettä normalisoivan managerialismin vastapainona. Asiat on syytä valmistella hyvin ja ajoissa. Jos niille ei tunnu löytyvän aikaa, ne eivät sitten ole niin tärkeitä."

"Demokratia on toimintamallina usein hankala ja hidas. Minulle nämä ovat molemmat tärkeitä arvoja. Akateemisen ihmisen pitää olla hankala. Hänen pitää kysyä miksi, avata taustat, penkoa perustelut. Hankaluus suojaa meitä tyhmyydeltä, yksinkertaistuksilta ja helppoheikkien höpinöiltä."

Tässä vähän ajatuksiani aiheesta:

Also, super cool that you are running this event!

Ah, awesome. I'm editing a thing where jubensha is mentioned, and will spell it in lowercase from now one. It just seems to be capitalized everywhere and I could not figure out why. But if there is no rule, then I'll drop it. (I live for this kind of editorial minutiae.)

As an epilogue, I need to add that after this film seeing any pic of Trump in his pimped out White (and Gold) House, just makes me feel like he is grasping for Ludwig's style. If the ball room or whatever he is building does not have an underground lake with swans, what is even the point.

Why is Jubensha capitalized? This may be a stupid question, but what is the editorial rule in use here?

Playfulness in organizing an event
Failed events and dispersed communities
Online/offline ecosystems of events and communities
Spreadability of ludic cultures in online communities
Materiality of games and play
Identities in ludic events and communities

Histories of specific events
The event as text, as game, as art
Visual analyses of events and communities
Marketing as community creation
Public and private events, open and close communities
Cultures and traditions of design in event creation

Inclusion, exclusion, and barriers of entry
Organization of labour
Participant experience
Amateurs, professionals, and serious leisure
Rules, regulations, codes of conduct
Economic models underlying game culture events
Development and change over time of events