ooo but keys & synths BIG thanks to ELO and Forever the sickest kids i love creating atmosphere around a song (thank you Brian Eno too) but also getting weird and silly for some distinct flare creating cohesion is the challenge these things spill out all the time i have to edit out often lol

I think i start writing all my songs on acoustic because of Michelle branch and Conor oberst haha i also definitely think the constant choice for groovy bass lines even when not "needed" is thanks to Whitney Houston & funk in general especially Maxwell

Lyrically/vocally/ song structure mayday parade, the spill canvas and fall out boy I love a good bridge and i love telling a story whether it's narrative or purely metaphorical sound/progression/production choices has grown overtime thanks to the books, flatsound, the national, bright eyes & dntel

Was checking it out this morning, fascinating stuff

Free will exists on a spectrum opening/closing as such while 1 has free will it's still usually confined or limited to another's free will. it can't be utilized without the backdrop of all existing will? And while one may have the will or desire do they have the access or means to act upon said will