Israel has kidnapped hundreds of people in international waters.

They were trying to break an illegal siege which is starving the people of Gaza.

The flotilla is the best of us 👇

www.owenjones.news/p/israel-kid...

Posted an hr. ago
Global Sumud Flotilla

david claerbout's works scattered in the castle of gasbeek, periphery of brussels.
sometimes nice encouters. i loved this duo. the shoes of the woman are what i want.

today's amazement www.dezeen.com/2025/09/25/c...
a floating medieval church, all the guts of the city exposed, construction in full bloom. multiple contexts in one, rethinking the value of heritage when it becomes an ornament.
pic from google maps maps.app.goo.gl/SNqrTNgaCv8p...

the little happiness of seeing some many people waiting at the bus station. -subtext: hurray i didnt miss the bus

re-reading situationists. "The direct transfer of artistic gifts is impossible; artistic adaptation takes place through a series of contradictory phases: Shock — Wonder — Imitation — Rejection — Experimentation — Possession." Asger Jorn www.bopsecrets.org/SI/bauhaus.htm

Reenacting the House by the Sea: A Workshop on Feminist Storytelling
3 March at the Flanders Architecture Institute, Antwerp
with Beatrice Minger, Florencia Fernandez Cardoso and me
www.vai.be/en/agenda-ex...
📷Still from the movie E.1027: Eileen Gray and the House by the Sea • Rise and Shine Cinema

when reading footnotes becomes a joy in itself. -from ursula l guin, the fisherwoman's daughter

“I get it. You thought what you posted was innocuous. Still, did you stop to think about everyone who has ever lived and how it could make them feel?”

missing the times of blogs. the amazing decentralised universe of curiosity.

the confusion of realising your bar is not actually your bar and that it is in the end only a business. feeling angry and sad for the loss of the collective...
daringman is closing
www.bruzz.be/actua/samenl...

tempelhof in berlin again under real-estate pressure. www.archpaper.com/2024/11/idea...
the referendum is just 10 years old when the berliners mentioned their interest in keeping the field as a field. but no, here we are again. state enforcing the private sector, rather than people.

after more than 1,5 years, we are through. the intricacy between architecture and power defines the historical narrative around monuments. what else was built remains unknown. such a rich field of discovery for the radical imagination 🎏 @davidwengrow.bsky.social @davidgraeberinst.bsky.social