Yoichi Shibuya devoted his career to bringing music closer to countless listeners. May he rest in peace.

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Yet despite these divergences in taste, I cannot overstate Mr. Shibuya’s importance in my musical life. Without his introduction, I might never have discovered Happy End or recognized the unique creative voice of Japanese rock and pop. For that, I remain deeply grateful.

Likewise, I must admit that the magazines he founded struck me at the time as somewhat akin to fanzines, and I found myself more drawn to the detailed reporting of Music Life, which provided extensive coverage of international artists.

Although Mr. Shibuya’s programs continued to focus primarily on Western music, my personal interests gradually shifted elsewhere, toward the world of Japanese fusion with its emphasis on technical mastery.

It was then that I realized Japanese rock could possess a distinctive originality, standing on its own rather than simply imitating Western models.

After Mr. Shibuya’s announcement—“This is Yoichi Shibuya”—the broadcast immediately launched into “Haru yo Koi.” That moment left an indelible impression on me.