Katie Heck has built an immense body of work that crosses disciplines, from painting to sculpture to film. Read the full article on the artist by clicking above! The post All My Friends Are Wild: The Art of Katie Heck first appeared on Hi-Fructose Magazine.

Erin M. Riley, an artist out of Philadelphia, is urging you to really rethink your notion of weaving and looming by transforming it from traditional to anything but. Read Eva Glettner's interview withthe articst from our archives by clicking above. The post Erin M. Riley’s Weaves Unlikely Moments first appeared on Hi-Fructose Magazine.

Wayne White’s pictures start with thrift store paintings... White seizes on a startup surface that was a middle class decorator staple in the ‘50s and ‘60s.. read Mat Gleason's article on the artist by clicking above! The post The Respect He So Richly Deserves: The Art of Wayne White first appeared on Hi-Fructose Magazine.

"Even though I would hope to be remembered as a portrait artist—canonizing the image of Indigenous people within art history—I am constantly set upon side quests,” says multidisciplinary Canadian artist Wally Dion.. read the full article by clicking above. The post Wally Dion Has Something On His Mind first appeared on Hi-Fructose Magazine.

Cartoonist Jay Howell is "looking forward to the next thing, always". Click above to read the full article. The post Punks Git Cut: The Art of Jay Howell first appeared on Hi-Fructose Magazine.

GWAR was never an ordinary rock band. And in the recent documentary This Is GWAR, director Scott Barber digs into the past and present of the music and art collective that simultaneously defied categorization while infiltrating late twentieth century pop culture and continues to entertain fans today with heavy metal and elaborate—even gory—stage shows. Read Liz Ohanesian's full article by clicking above. The post THIS IS GWAR: Inside the infamous Art Collective turned Gored-out Shock band first appeared on Hi-Fructose Magazine.

“When I learned that there was a technique called honkadori, I thought it was interesting,” says Watanabe. “It seemed like an invasion or challenge to the idea of Western art and original works.” Read the full article by clicking above. The post Mitsuru Watanabe Interjects A Modern Perspective Onto Classic Paintings first appeared on Hi-Fructose Magazine.

Yuko Shimizu is a New York-based illustrator, whose bold manga lines depict intimate narrative scenes from myth, science fiction, and pop iconography, creating a visual genre all her own. Read the full article by Harrison Cook clicking above! The post Yuko Shimizu depicts intimate narrative scenes from myth, science fiction, and pop iconography, creating a visual genre all her own. first appeared on Hi-Fructose Magazine.

Incorporating a mix of objects—everything from old toys to dead bugs to simple paper constructions—Lewis Chamberlain builds unusual scenarios... Read the full article by clicking above! The post Lewis Chamberlain: From the Pocket of A Ghost first appeared on Hi-Fructose Magazine.

In Edward Telleri's paintings, eyes become living forms.. Read more by clicking above! The post Miradas: Edward Telleri’s Gaze-fueled Artwork first appeared on Hi-Fructose Magazine.

You will want to find a way back to the sideways world, the dirty world, the alien world of Tetsunori Tawaraya. Click above! The post Tetsunori Tawaraya’s Fierce & Hypnotizing World Will Air-Fry Your Retinas first appeared on Hi-Fructose Magazine.

For artist Sarah Slappey, the body is both subject and setting. It entrances and repels, can be beautiful and grotesque. Above all, it is a means of artistic exploration that defies neat categorization. Read the full article by clicking above. The post Phantom Limbs: The Body Part Filled Paintings of Sarah Slappey are Tumultuous, Alluring, & Aggressive first appeared on Hi-Fructose Magazine.

The drawings of Laurie Lipton have bewildered and enchanted audiences for several decades. Each piece wields a cacophony of influences and experiences in dreamlike visions. Read Andy Smith's full article by clicking above. The post Personal Effects: The Art of Laurie Lipton first appeared on Hi-Fructose Magazine.

Once scheduled to be on view at the Smithsonian's National Portrait gallery, Amy Sherald's American Sublime is now on view at the Baltimore Museum of Art after the artist pulled the exhibit, asserting that she could not 'comply with a culture of censorship" Read the full article on the exhibition from our recent issue, after it premiered at the SFMOMA by clicking above! The post Amy Sherald’s American Sublime first appeared on Hi-Fructose Magazine.

Painter Laura Ball's hypnotically engaging paintings give the viewer a multi-planed insight to the roiling energy of the subconscious, as well as the dynamics of the equally vital and tempestuous physical world. Read the full article by Kirsten Anderson by clicking above. The post Capturing the Minotaur: The Art of Laura Ball first appeared on Hi-Fructose Magazine.

The hues in Cowan's work are distinct, matched and paired among disparate findings from various locales. Read Andy Smith's full article on this unique glass artist by clicking above... The post Amber Cowan Reshapes History with Her Glass Works first appeared on Hi-Fructose Magazine.

Cinta Vidal’s intricate paintings often foster favorable comparisons to graphic prints by M.C. Escher, especially the latter’s impossible constructions. Any similarity is largely incidental: Where Escher revealed the subtle harmonies that unite the incongruent, Vidal reaches for something more intimate and human. Read the full article by clicking above! The post Macro Verse: The Paintings of Cinta Vidal Allow us To Become Gravity-Defying Voyeurs first appeared on Hi-Fructose Magazine.

Vincent Castiglia started experimenting with painting in blood in 2000. He was eighteen. By 2003, he was using it exclusively. Read Mike Mariani's full article from our archives by clicking above! The post Reign in Blood: Vincent Castiglia Brings His Subjects to Life With His own Blood first appeared on Hi-Fructose Magazine.

"I did not always know that I would be making this particular work,” says painter Vickie Vainionpää, “but that’s the beauty of being an artist. To follow your interests, pulling at threads and slowly but surely a path becomes clear.”Read the full article on the artist by clicking above! The post Opposing Forces: VICKIE VAINIONPÄÄ PAINTS THE GAP BETWEEN EXPERIENCE & HUMAN PERCEPTION first appeared on Hi-Fructose Magazine.

A fine balance of light, dark, serious, and silly, the paintings of Rachel Hayden are the culmination of her life experiences, expressed through peculiar motifs, alluring symmetry, and disassociated figures. There is at once something inviting, yet withdrawn, about this work... Read the full article and interview with the artist by clicking above. The post Happy Crying: The Art of Rachel Hayden Balances Tension With Whimsy first appeared on Hi-Fructose Magazine.

"Color for me is very much about that initial emotional impact; it is almost like a precursor to the mood of a painting,” says Koak. Read the full article on Koak by clicking above. The post A Return To Feeling: The Dynamic & Emotion-Infused Art of KOAK first appeared on Hi-Fructose Magazine.

David Cerný is by all accounts the most famous artist in the Czech Republic. A quick Google search confirms that diagnosis by revealing the byproduct of artistic success: article upon article attempting to pigeonhole him. Read Clayton Schuster's full article on the artist by clicking above! The post The Art of Pissing People Off: Controversial Artist David Cerny Creates Scuptures Full of Defiance & Humor first appeared on Hi-Fructose Magazine.

Using striking symbolic language that seems to drift from subconscious realms, Arghavan Khosravi commands the subjects of her vibrant, sculptural paintings. Read Zara Kand's full article on the artist by clicking above! The post Arghavan Khosravi Consumes The Subjects Of Her Vibrant Sculptural paintings first appeared on Hi-Fructose Magazine.

Jess Johnson’s universe is filled with intricate, near-hypnotizing patterns, bold colors, an array of symbols that recall ancient rituals, and a narrative that unfolds like a modern space fantasy saga.Read the full article by clicking above! The post Everything Not Saved Will Be Lost: The Art of Jess Johnson first appeared on Hi-Fructose Magazine.

Murray Bowles was, by all accounts, the very best kind of artist. For more than forty years, he was in regular attendance at punk shows billing up-and-coming bands in ramshackle and makeshift venues throughout Northern California (particularly in the East Bay). Read Jessica Tagami's full article by clicking above. The post Murray Bowles Documented The Bay Area Punk Scene of the 90s, From The Inside first appeared on Hi-Fructose Magazine.