It's essentially a smart, dynamic EQ that suppresses whatever harsh resonant frequencies that you target

It can take the edge off of cheap mics, help keep the low end consistent when moving around, and soften even the most ear-piercing vtuber screeches

ok…WHO TF…gave Ella…a KNIFE!?!?

www.youtube.com/watch?v=PiTW...

I guess I should’ve shown what was happening INSIDE the grill

I know deductive reasoning is difficult for you Canadians

ELLA YOUR PHRASING!!!!!!!!!!

At least then she’d have an after work snack

and here are some pics of her as a puppy that my sister took on her vintage camera

Fun Fact: Decca Tree relies on a very unique aspect of the Neumann M50 mic

It's a small diaphragm omni capsule mounted within a sphere. This sphere creates increasing directionality at higher frequencies, giving you the best of both worlds

Rich extended low end with a clear stereo image

Sometimes knowing some recording history can be so so helpful when trying to recreate certain sounds

A lot of 50's/60's orchestral stuff was purely Decca Tree with no outrigger, ambient, or spot mics

There's definitely something about the purity of a single stereo capture

RePitch Standard gives you the Shaper Tool, Smooth Join, Draw Tool, and the Warp Points Tool

I use Warp Points A LOT and the Draw Tool is such a useful thing (that I wish Melodyne had) so for $40 it is well worth the upgrade

Just look at that hair lmao

This is actually a good topic for a long post

What specs to look at when pairing headphones to an interface etc