kuso anime girl ⟡ ݁₊
general otaku debauchery, idle musings, multi-fandom nonsense.
21+
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https://heartonwave.neocities.org/
their embossed blush range reminds me somewhat of too faced's long since discontinued love flushes
their embossed blush range reminds me somewhat of too faced's long since discontinued love flushes
i do hope valusia receives a release in a similar fashion, at some point, so that you all may become acquainted with my blorbo who did nothing wrong ever ദ്ദി ˊ ᗜ ˋ ) -☆
i do hope valusia receives a release in a similar fashion, at some point, so that you all may become acquainted with my blorbo who did nothing wrong ever ദ്ദി ˊ ᗜ ˋ ) -☆
it understands the culture and in many ways is a love letter, fondness tracing every word's shape, to that same space which brings us joy
it understands the culture and in many ways is a love letter, fondness tracing every word's shape, to that same space which brings us joy
gazes skyward towards the old celestial onion, sighs. though its artistry is this high-octane spectacle setting one's pulse thrumming up a storm, my dislike of kaguya herself brought upon a fundamental disconnect which resulted in caring little for what became of her
gazes skyward towards the old celestial onion, sighs. though its artistry is this high-octane spectacle setting one's pulse thrumming up a storm, my dislike of kaguya herself brought upon a fundamental disconnect which resulted in caring little for what became of her
märchen's frau holle presides over a purgatorial interstice for children who've passed, and within the suite holle welcomes a girl that fell down a well into her embrace
märchen's frau holle presides over a purgatorial interstice for children who've passed, and within the suite holle welcomes a girl that fell down a well into her embrace
surprised to see that yoshizawa doesn't seem to have much published as this feels remarkably sophisticated, challenging even for its view on flowers given the genre. roots of trauma coil deep within insect-writhing soil, thorns press sharply into the flesh of its wayward leads
surprised to see that yoshizawa doesn't seem to have much published as this feels remarkably sophisticated, challenging even for its view on flowers given the genre. roots of trauma coil deep within insect-writhing soil, thorns press sharply into the flesh of its wayward leads
such a delightfully camp Weird Girl™ film revelling in the irreverence of its occasional namesake. lil sloppy in places but it was such a kitsch and horny romp wearing that burton influence on black lacy sleeves that I can't help but be terribly terribly fond
such a delightfully camp Weird Girl™ film revelling in the irreverence of its occasional namesake. lil sloppy in places but it was such a kitsch and horny romp wearing that burton influence on black lacy sleeves that I can't help but be terribly terribly fond
sticker-dotted storage unit, fairy lights strung up haphazardly, random trinkets clipped to a wire wall grid amidst a sea of garish, contrasting colours feel unmistakably suzuki
sticker-dotted storage unit, fairy lights strung up haphazardly, random trinkets clipped to a wire wall grid amidst a sea of garish, contrasting colours feel unmistakably suzuki
inspiring those who bear the brunt of The System through these tiny tiny yet powerful motions showing that it *is* possible to break free
inspiring those who bear the brunt of The System through these tiny tiny yet powerful motions showing that it *is* possible to break free
a serviceable addition to the sexual politics of the near-future canon, in which female autonomy's erosion continues in digital form; collapsing into the ones & zeros of fembots. obvs very current with the grokification of it all but lacks the texture of comparable works like annie bot
a serviceable addition to the sexual politics of the near-future canon, in which female autonomy's erosion continues in digital form; collapsing into the ones & zeros of fembots. obvs very current with the grokification of it all but lacks the texture of comparable works like annie bot
although (practically) all that is shown buckles under the strain of P's paranoia, slopifying D's game to such a degree that it drags him out of the grave kicking and screaming, it doesn't excuse the inclusion of generative AI
although (practically) all that is shown buckles under the strain of P's paranoia, slopifying D's game to such a degree that it drags him out of the grave kicking and screaming, it doesn't excuse the inclusion of generative AI
an ensemble cast seek to crack the culturally sedimented shell that is being A Good Wife, settling into domestic abuse apologia even when divorce papers are served. as tends to be the case with such formats character growth feels weirdly accelerated, all but pointing u to the manga
an ensemble cast seek to crack the culturally sedimented shell that is being A Good Wife, settling into domestic abuse apologia even when divorce papers are served. as tends to be the case with such formats character growth feels weirdly accelerated, all but pointing u to the manga