Let me write so that an unwitting human can read it and go "please can we revoke Hazel's keyboard access" and "wow that was an excellent explanation but did you really need to dwell in the Shrek example?"

🥰🥰🥰 Thanks Oli!

Honorable Mentions
Final Commencement by Francine Wildt
Gods of Nothings by Shing Yin Khor
LOOP GAIN by Lin Codega
Our Queenblessed Bodies by Natalie Pudim
Paranormal Parasocial by Hazel Anneke Dixon
WE WILL NOT SPEAK OF THIS by Allison Rassmann
Find them here: www.goldencobra.org/submissions2...

Transphobes don't want to preserve the sanctity of bathrooms, they want to erase trans people from public spaces.

Trans people are four more times likely to be the victim of a violent crime then cis people williamsinstitute.law.ucla.edu/press/ncvs-t...

I do it a fair bunch! When there's a very cool and tightly scripted larp (like Strangers by Nina Runa Essendrop or Arsenic and Lies by Karolina Soltys), it can be a lot of fun.

Absolutely! Pop me a message about what you're thinking.

I have to come back to Newcastle twice in December for appointments so I am slowly taking suitcases of stuff down but boy do I own a lot of nonsense.

"Real participation means that people with disabilities can also immerse themselves in play worlds in order to have new experiences like everyone else and to escape from everyday life for a while" Björn Butzen - Inclusion in Larp: Between Challenge and the Experience of Limits

Or this one that I wrote about designing online larps with distant players but co-located characters jarps.net/journal/arti...

JARPS - Japanese Journal of Analog Role-Playing Games always has brilliant articles - like this one from Johanna Koljonen on emotional safety design principles in larps essential for anyone building experiences jarps.net/journal/arti...