Júlia Havas
@havasjulia.bsky.social
TV & film scholar, Senior Lecturer @ University of York, author of “Woman Up: Invoking Feminism in Quality TV”. https://www.wsupress.wayne.edu/books/detail/woman
In the hope this helps you get out of bed: I set your Mabel Normand chapter as essential reading on my undergrad “Feminism on the Screen” module at the Uni of York. Students love your argument about the Chaplin anecdote & how it points to film authorship as a set of gendered/patriarchal practices.
March 6, 2025 at 1:03 PM
In the hope this helps you get out of bed: I set your Mabel Normand chapter as essential reading on my undergrad “Feminism on the Screen” module at the Uni of York. Students love your argument about the Chaplin anecdote & how it points to film authorship as a set of gendered/patriarchal practices.
To quote from Kimmy Schmidt: I understood all those words separately.
January 25, 2025 at 4:15 PM
To quote from Kimmy Schmidt: I understood all those words separately.
Right. And this fixing by the AI is reproduced in the way American gatekeepers adjudicate the authenticity and ethics of the mechanically produced sonic foreignness. So in a sense, the from-here critics and the AI perform similar acts of control over the foreign voice.
January 23, 2025 at 2:02 PM
Right. And this fixing by the AI is reproduced in the way American gatekeepers adjudicate the authenticity and ethics of the mechanically produced sonic foreignness. So in a sense, the from-here critics and the AI perform similar acts of control over the foreign voice.