Harrison Baillie
@harrisonbaillie.bsky.social
coordinator at thekla, videographer, animator ++
does this app punish use of links? hdfst.uk/e125698
The Music of Scott Pilgrim - Performed at Exchange
IT'S TIME Immerse yourself in the world of Scott Pilgrim on Sunday 21st September as we bring Toronto's Battle of the Bands to Bristol's Exchange. Featuring live music from Crash & The Boys ‣ The Cla...
hdfst.uk
March 18, 2025 at 12:02 AM
does this app punish use of links? hdfst.uk/e125698
Simply being seen on-stage or with a camera on the other side of the barrier makes you a part of the show, like-it-or-not.
Use it to your advantage.
𝘛𝘩𝘪𝘴 𝘩𝘰𝘸𝘦𝘷𝘦𝘳 𝘥𝘰𝘦𝘴 𝘭𝘰𝘰𝘱 𝘣𝘢𝘤𝘬 𝘢𝘳𝘰𝘶𝘯𝘥 𝘵𝘰 𝘴𝘢𝘧𝘦𝘵𝘺
Use it to your advantage.
𝘛𝘩𝘪𝘴 𝘩𝘰𝘸𝘦𝘷𝘦𝘳 𝘥𝘰𝘦𝘴 𝘭𝘰𝘰𝘱 𝘣𝘢𝘤𝘬 𝘢𝘳𝘰𝘶𝘯𝘥 𝘵𝘰 𝘴𝘢𝘧𝘦𝘵𝘺
November 29, 2024 at 6:09 AM
Simply being seen on-stage or with a camera on the other side of the barrier makes you a part of the show, like-it-or-not.
Use it to your advantage.
𝘛𝘩𝘪𝘴 𝘩𝘰𝘸𝘦𝘷𝘦𝘳 𝘥𝘰𝘦𝘴 𝘭𝘰𝘰𝘱 𝘣𝘢𝘤𝘬 𝘢𝘳𝘰𝘶𝘯𝘥 𝘵𝘰 𝘴𝘢𝘧𝘦𝘵𝘺
Use it to your advantage.
𝘛𝘩𝘪𝘴 𝘩𝘰𝘸𝘦𝘷𝘦𝘳 𝘥𝘰𝘦𝘴 𝘭𝘰𝘰𝘱 𝘣𝘢𝘤𝘬 𝘢𝘳𝘰𝘶𝘯𝘥 𝘵𝘰 𝘴𝘢𝘧𝘦𝘵𝘺
Liven them up! Be enthusiastic with them, sing along, and the right people WILL engage with you and get you golden shots.
When shooting highlight especially, I only need 1s of ftg at a time for these shots. Getting them energetic first and then introducing the camera goes miles for results.
When shooting highlight especially, I only need 1s of ftg at a time for these shots. Getting them energetic first and then introducing the camera goes miles for results.
November 29, 2024 at 6:07 AM
Liven them up! Be enthusiastic with them, sing along, and the right people WILL engage with you and get you golden shots.
When shooting highlight especially, I only need 1s of ftg at a time for these shots. Getting them energetic first and then introducing the camera goes miles for results.
When shooting highlight especially, I only need 1s of ftg at a time for these shots. Getting them energetic first and then introducing the camera goes miles for results.
THE CROWD
If the crowd respond well, get footage of them. If they’re not moving, avoid them or use camera moves that make them seem more lively.
Recognise what pockets of the crowd that have the most energy, and target those spots for your shots.
If the crowd respond well, get footage of them. If they’re not moving, avoid them or use camera moves that make them seem more lively.
Recognise what pockets of the crowd that have the most energy, and target those spots for your shots.
November 29, 2024 at 6:04 AM
THE CROWD
If the crowd respond well, get footage of them. If they’re not moving, avoid them or use camera moves that make them seem more lively.
Recognise what pockets of the crowd that have the most energy, and target those spots for your shots.
If the crowd respond well, get footage of them. If they’re not moving, avoid them or use camera moves that make them seem more lively.
Recognise what pockets of the crowd that have the most energy, and target those spots for your shots.
THE ARTIST
Keep time with the beat for your camera moves.
Recognise patterns, tempo changes to figure out upcoming beat drops or big moments in songs & mixes.
If they’re mixing something live get footage of them on the decks. If they’re being energetic, get body shots.
Keep time with the beat for your camera moves.
Recognise patterns, tempo changes to figure out upcoming beat drops or big moments in songs & mixes.
If they’re mixing something live get footage of them on the decks. If they’re being energetic, get body shots.
November 29, 2024 at 6:02 AM
THE ARTIST
Keep time with the beat for your camera moves.
Recognise patterns, tempo changes to figure out upcoming beat drops or big moments in songs & mixes.
If they’re mixing something live get footage of them on the decks. If they’re being energetic, get body shots.
Keep time with the beat for your camera moves.
Recognise patterns, tempo changes to figure out upcoming beat drops or big moments in songs & mixes.
If they’re mixing something live get footage of them on the decks. If they’re being energetic, get body shots.
BE OBSERVANT
You need to constantly be looking 𝐚𝐧𝐝 listening between three core elements.
▶️ The Artist
▶️ The Crowd
▶️ Your Monitor
This will come with experience, and can be massively helped with quality preparation.
You need to constantly be looking 𝐚𝐧𝐝 listening between three core elements.
▶️ The Artist
▶️ The Crowd
▶️ Your Monitor
This will come with experience, and can be massively helped with quality preparation.
November 29, 2024 at 5:57 AM
BE OBSERVANT
You need to constantly be looking 𝐚𝐧𝐝 listening between three core elements.
▶️ The Artist
▶️ The Crowd
▶️ Your Monitor
This will come with experience, and can be massively helped with quality preparation.
You need to constantly be looking 𝐚𝐧𝐝 listening between three core elements.
▶️ The Artist
▶️ The Crowd
▶️ Your Monitor
This will come with experience, and can be massively helped with quality preparation.
SAFETY
Doing video, you’re moving a lot without looking where you’re going a lot more than photogs.
Learn the stage! Take time to walk the stage to find where it ends, or where there might trip hazards and holes. The more you walk the more you can put it to muscle memory, and focus on the shots.
Doing video, you’re moving a lot without looking where you’re going a lot more than photogs.
Learn the stage! Take time to walk the stage to find where it ends, or where there might trip hazards and holes. The more you walk the more you can put it to muscle memory, and focus on the shots.
November 29, 2024 at 5:52 AM
SAFETY
Doing video, you’re moving a lot without looking where you’re going a lot more than photogs.
Learn the stage! Take time to walk the stage to find where it ends, or where there might trip hazards and holes. The more you walk the more you can put it to muscle memory, and focus on the shots.
Doing video, you’re moving a lot without looking where you’re going a lot more than photogs.
Learn the stage! Take time to walk the stage to find where it ends, or where there might trip hazards and holes. The more you walk the more you can put it to muscle memory, and focus on the shots.
PEOPLE SKILLS (2)
Get to know your artists, even on a late call taking five or ten minutes for a pre-show brief will make everyone happy.
Understand boundaries for physical proximity to artists, where you can & can’t be on stage, and the things you can and can’t film.
Get to know your artists, even on a late call taking five or ten minutes for a pre-show brief will make everyone happy.
Understand boundaries for physical proximity to artists, where you can & can’t be on stage, and the things you can and can’t film.
November 29, 2024 at 5:46 AM
PEOPLE SKILLS (2)
Get to know your artists, even on a late call taking five or ten minutes for a pre-show brief will make everyone happy.
Understand boundaries for physical proximity to artists, where you can & can’t be on stage, and the things you can and can’t film.
Get to know your artists, even on a late call taking five or ten minutes for a pre-show brief will make everyone happy.
Understand boundaries for physical proximity to artists, where you can & can’t be on stage, and the things you can and can’t film.
PEOPLE SKILLS
Introduce yourself! Do not just show up, walk on stage and start shooting. It’s a quick way to make everyone uncomfortable, piss people off, and not get booked again.
Say hello to the promoter, agent or artist who booked you. You need a pass anyway, so get chatting! Which leads to 👇
Introduce yourself! Do not just show up, walk on stage and start shooting. It’s a quick way to make everyone uncomfortable, piss people off, and not get booked again.
Say hello to the promoter, agent or artist who booked you. You need a pass anyway, so get chatting! Which leads to 👇
November 29, 2024 at 5:45 AM
PEOPLE SKILLS
Introduce yourself! Do not just show up, walk on stage and start shooting. It’s a quick way to make everyone uncomfortable, piss people off, and not get booked again.
Say hello to the promoter, agent or artist who booked you. You need a pass anyway, so get chatting! Which leads to 👇
Introduce yourself! Do not just show up, walk on stage and start shooting. It’s a quick way to make everyone uncomfortable, piss people off, and not get booked again.
Say hello to the promoter, agent or artist who booked you. You need a pass anyway, so get chatting! Which leads to 👇
GETTING AUDIO (2)
Plug a Rode Wireless Mic’s 3.5mm input into the REC OUT of the mixer via a -25dB attenuator cable.
Plug the receiver into your camera’s 3.5mm mic input, and get clean live audio in-camera.
Use this in L and your regular mic to R then convert to mono if you need crowd noise.
Plug a Rode Wireless Mic’s 3.5mm input into the REC OUT of the mixer via a -25dB attenuator cable.
Plug the receiver into your camera’s 3.5mm mic input, and get clean live audio in-camera.
Use this in L and your regular mic to R then convert to mono if you need crowd noise.
November 29, 2024 at 5:39 AM
GETTING AUDIO (2)
Plug a Rode Wireless Mic’s 3.5mm input into the REC OUT of the mixer via a -25dB attenuator cable.
Plug the receiver into your camera’s 3.5mm mic input, and get clean live audio in-camera.
Use this in L and your regular mic to R then convert to mono if you need crowd noise.
Plug a Rode Wireless Mic’s 3.5mm input into the REC OUT of the mixer via a -25dB attenuator cable.
Plug the receiver into your camera’s 3.5mm mic input, and get clean live audio in-camera.
Use this in L and your regular mic to R then convert to mono if you need crowd noise.
GETTING AUDIO
Plug your smartphone straight into the mixer with a USB cable, use the DJM-REC app, pick if you want to include mics or not, hit record and leave it. The mixer will charge your phone, so just make sure you’ve got free space for the file.
Add a mic on your camera, then sync in post.
Plug your smartphone straight into the mixer with a USB cable, use the DJM-REC app, pick if you want to include mics or not, hit record and leave it. The mixer will charge your phone, so just make sure you’ve got free space for the file.
Add a mic on your camera, then sync in post.
November 29, 2024 at 5:34 AM
GETTING AUDIO
Plug your smartphone straight into the mixer with a USB cable, use the DJM-REC app, pick if you want to include mics or not, hit record and leave it. The mixer will charge your phone, so just make sure you’ve got free space for the file.
Add a mic on your camera, then sync in post.
Plug your smartphone straight into the mixer with a USB cable, use the DJM-REC app, pick if you want to include mics or not, hit record and leave it. The mixer will charge your phone, so just make sure you’ve got free space for the file.
Add a mic on your camera, then sync in post.
shit feels like groundhog day every damn week, wouldn’t have it any other way though
November 22, 2024 at 4:08 AM
shit feels like groundhog day every damn week, wouldn’t have it any other way though