Halvor K. Hosar
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halvorkhosar.bsky.social
Halvor K. Hosar
@halvorkhosar.bsky.social
Musicologist and Associate Teaching Professor at the University of Stavanger (he/him) | Hobby etymologist and aelurophile. Opines too much about eighteenth-century music, most often about Haydn, Wanhal, Dittersdorf or Pleyel.
Huff, han karen der hadde i si tid eit eige program om filmmusikk på NRK Klassisk, der han introduserte meg for Max Richter. Det har eg framleis ikkje tilgjeve han.
March 30, 2025 at 5:17 PM
I even own that book. Much obliged!
March 28, 2025 at 5:55 PM
I'm very happy that you are keeping the Wanhal flag flying in my absence! The names list, by the way, is not exhaustive: in his own birth record he is (so far as I understand) listed as Jan Ignacy Manhal.
March 18, 2025 at 12:23 AM
Reposted by Halvor K. Hosar
Yeah. This guy. A huge fan. These were the very VERY first recordings on Naxos I ever purchased. 20 years ago?!? Long gone but now I have these. Am a huge fan of the Ovid. (Also the orchestra Tafelmusik. A wonderful composer!
March 17, 2025 at 7:11 PM
I suppose that the leaders of each group, Balakirev and Tigress, would have to go together.
March 17, 2025 at 8:28 PM
Coming from an eighteenth-century perspective, this is so weird to hear about. There we have thousands of such documents, and neither the resources, the manpower of the intellectual prestige to see it done.
February 24, 2025 at 10:05 PM
This one is truly wonderful. My thanks for giving me a reason to revisit it.
February 24, 2025 at 12:08 PM
You are very welcome, and thank you for listening!
February 15, 2025 at 10:51 PM
It is hard to say. He was definitely capable of deliberately repurposing material, but the letter does sound more than a little defensive, so I am not 100% sure that is the case here. Then again, I don't really know much about the creation history of these sonatas (I'm not sure if anybody does).
February 15, 2025 at 9:44 AM
More interesting are the cases where he draws attention to and deliberately plays with this: symphony 85 quotes 45 in the second theme, but lets the first theme change step by step into this. This is possibly a response to Parisian accusations of #45 being monotonous.
February 14, 2025 at 11:46 AM
At other points, Haydn was definitely guilty of this. Just compare the openings of the Salve Regina in E and the third word from the Seven Last Words (both Marian works in E, but 30 years apart):

www.youtube.com/watch?v=VQ8f...
youtu.be/3OBa431xI2E?...
J. Haydn - Hob XXIIIb:1 - Salve Regina in E major
YouTube video by ComposersbyNumbers
www.youtube.com
February 14, 2025 at 11:43 AM
There is one letter from Haydn to his publisher Artaria about a similarity between two themes in a set of piano sonatas. I don't have the source handy, but I have included a screenshot of an article I wish I hadn't written, which quotes it almost in full.
February 14, 2025 at 11:39 AM