My Letterboxd https://boxd.it/7n2p
My Serializd https://srlzd.com/u/GrogtheGinger
My AOTY https://www.albumoftheyear.org/user/grogtheginger/
Some good first time watches this year but nothing touching the old faithfuls at the top for me.
Some good first time watches this year but nothing touching the old faithfuls at the top for me.
The way this combines a traditional kind of folklore horror premise and very real kind of exploration into systemic racism is so perfect. It all fits together into one sublimely unsettling story.
The way this combines a traditional kind of folklore horror premise and very real kind of exploration into systemic racism is so perfect. It all fits together into one sublimely unsettling story.
The perfect combination of gruesomely cool body horror and genuine chills.
The perfect combination of gruesomely cool body horror and genuine chills.
Horror films - especially those in the English language - usually have lines they won't cross. Crossing lines is a big part of this.
Horror films - especially those in the English language - usually have lines they won't cross. Crossing lines is a big part of this.
Plenty suspension of disbelief required for the premise but the fascist world behind it is effective and the writing is fantastic.
Emotional and evolving characters with actors knocking it out of the park are what makes this. David Jonsson is MVP.
Plenty suspension of disbelief required for the premise but the fascist world behind it is effective and the writing is fantastic.
Emotional and evolving characters with actors knocking it out of the park are what makes this. David Jonsson is MVP.
Fails to match what the original did right but corrects some of its mistakes.
But this is a film that makes some wild choices. Some simply bizarre, some outright offensive if you actually care about the franchise.
Fails to match what the original did right but corrects some of its mistakes.
But this is a film that makes some wild choices. Some simply bizarre, some outright offensive if you actually care about the franchise.
The kind of film I'll need to watch again.
Abel Ferrara's guerrilla approach to vampirism in New York comes across as disturbingly real. It's clearly an allegory for drug addiction but it's also so much more.
The kind of film I'll need to watch again.
Abel Ferrara's guerrilla approach to vampirism in New York comes across as disturbingly real. It's clearly an allegory for drug addiction but it's also so much more.
This is horror primarily through anthropology. How does a group of people react to an apocalypse? Not great.
This is horror primarily through anthropology. How does a group of people react to an apocalypse? Not great.
Kim Jee-woon forces you to sit with the depravity. Long, uncomfortable scenes have you begging for intervention. The only intervention is a change of depravity.
Kim Jee-woon forces you to sit with the depravity. Long, uncomfortable scenes have you begging for intervention. The only intervention is a change of depravity.
A timeless folktale of grief, loneliness and jealousy. It evolves from a slow and simple character drama to the horror story you'll remember it as.
It also shows how much you can do with a few actors, a couple huts, a wheat field and a hole in the ground.
A timeless folktale of grief, loneliness and jealousy. It evolves from a slow and simple character drama to the horror story you'll remember it as.
It also shows how much you can do with a few actors, a couple huts, a wheat field and a hole in the ground.
Cute B-movie with a guy who's a bit too serious at parties and a cast of "yes, that's them" (Mariska Hargitay and Jack Nance) and "no, it's not them" (not Dana Carvey).
Cute B-movie with a guy who's a bit too serious at parties and a cast of "yes, that's them" (Mariska Hargitay and Jack Nance) and "no, it's not them" (not Dana Carvey).
All of the problems the first film had are back and worse.
Freddie Prinze Jr is sidelined once again, despite somehow rising to top billed. Jack Black with dreadlocks is in this more than him.
All of the problems the first film had are back and worse.
Freddie Prinze Jr is sidelined once again, despite somehow rising to top billed. Jack Black with dreadlocks is in this more than him.
It's police procedural, viral contagion, zombie, occult, possession movie and everything in between.
It feels perfectly tuned to my tastes in horror. It's genuinely creepy and it's able to become a huge, sustained explosion for the entire second half.
It's police procedural, viral contagion, zombie, occult, possession movie and everything in between.
It feels perfectly tuned to my tastes in horror. It's genuinely creepy and it's able to become a huge, sustained explosion for the entire second half.
The premise is great but it falls apart when it gets to the slasher part and it struggles to find focus in the killer's motive.
In the end, the reveal of the killer is very underwhelming.
The premise is great but it falls apart when it gets to the slasher part and it struggles to find focus in the killer's motive.
In the end, the reveal of the killer is very underwhelming.
Genuinely impressive but imperfect debut from Arkasha Stevenson.
While the horror goes places I genuinely didn't expect in a studio film, some of the references are a touch on the nose.
It's also very predictable, even beyond the prequel of it all.
Genuinely impressive but imperfect debut from Arkasha Stevenson.
While the horror goes places I genuinely didn't expect in a studio film, some of the references are a touch on the nose.
It's also very predictable, even beyond the prequel of it all.
Instantly inducted into annual viewing club since I saw it last year. Breathtakingly creepy and intensely fast moving.
Such perfectly crafted characters, right down to each detail, given life through perfectly cast actors.
Instantly inducted into annual viewing club since I saw it last year. Breathtakingly creepy and intensely fast moving.
Such perfectly crafted characters, right down to each detail, given life through perfectly cast actors.
A little weaker than the first but it doesn't sacrifice its intensity. I wasn't expecting it to make such big swings with the lore.
The little problems are far from enough to stop a film that still does what the first one did so right, though.
A little weaker than the first but it doesn't sacrifice its intensity. I wasn't expecting it to make such big swings with the lore.
The little problems are far from enough to stop a film that still does what the first one did so right, though.
It's not just that it's a The Substance ripoff but that it's awful. The script is shocking.
The budget can't back it up, either. All of it looks so cheap, and that film grain filter ain't fooling anyone.
The ending is so funny it's almost worth it, though.
It's not just that it's a The Substance ripoff but that it's awful. The script is shocking.
The budget can't back it up, either. All of it looks so cheap, and that film grain filter ain't fooling anyone.
The ending is so funny it's almost worth it, though.
There is a genuine horror premise to it but the method is really what does it. It's unrelenting and surreal. You either strap in or you don't. Even as the story evolves, the main event is how your senses are being assaulted.
There is a genuine horror premise to it but the method is really what does it. It's unrelenting and surreal. You either strap in or you don't. Even as the story evolves, the main event is how your senses are being assaulted.
I'm always trepidatious about found footage films but I can't complain about this one.
Once this gets going, it escalates with a stunning intensity that will work on even the biggest sceptics.
I'm always trepidatious about found footage films but I can't complain about this one.
Once this gets going, it escalates with a stunning intensity that will work on even the biggest sceptics.