@go-mitch.bsky.social
Man, I’m no good at this blue sky thing. This was supposed to be about Andrew Hickey in response to your post on Carlos Ward (at least I figured out that it’s not pronounced “blooskie.” I’m making progress).
November 29, 2024 at 5:28 PM
Man, I’m no good at this blue sky thing. This was supposed to be about Andrew Hickey in response to your post on Carlos Ward (at least I figured out that it’s not pronounced “blooskie.” I’m making progress).
His piece on Louie Louie identifies the Pacific Northwest in the late 50's/early 60's as the locus of the shift of rock n roll being a Black guy at a keyboard to a White guy with a guitar. The arranger he credits for allowing this to happen is none other than Carlos Ward.
November 29, 2024 at 5:02 PM
His piece on Louie Louie identifies the Pacific Northwest in the late 50's/early 60's as the locus of the shift of rock n roll being a Black guy at a keyboard to a White guy with a guitar. The arranger he credits for allowing this to happen is none other than Carlos Ward.
His piece on Louie Louie identifies the Pacific Northwest in the late 50's/early 60's as the locus of the shift of rock n roll being a Black guy at a keyboard to a White guy with a guitar. The arranger he credits for allowing this to happen is none other than Carlos Ward.
November 29, 2024 at 4:59 PM
His piece on Louie Louie identifies the Pacific Northwest in the late 50's/early 60's as the locus of the shift of rock n roll being a Black guy at a keyboard to a White guy with a guitar. The arranger he credits for allowing this to happen is none other than Carlos Ward.
Have you been listening to Andrew Hickey's podcast "A History of Rock Music in 500 Songs"? As a researcher, he makes me look like a shallow googler.
November 29, 2024 at 4:59 PM
Have you been listening to Andrew Hickey's podcast "A History of Rock Music in 500 Songs"? As a researcher, he makes me look like a shallow googler.