Georgie Carr
@georgiecarr.bsky.social
PhD in Film Studies at University of Sussex. Media historian researching policing, cinema & urbanism. Writer and film critic, the TLS and Another Gaze.
Pinned
Georgie Carr
@georgiecarr.bsky.social
· Jul 2
Coercive cinema: police film in schools, 1966–75
Screen studies theorists have long maintained that the cinematic apparatus is geared towards the production of consent.1 But such a focus can risk developi
academic.oup.com
My article—Coercive cinema: police film in schools, 1966–75—has been published in SCREEN.
I argue for a greater focus on both the ideological power of the police and the coercive affordances of cinema.
academic.oup.com/screen/artic...
I argue for a greater focus on both the ideological power of the police and the coercive affordances of cinema.
academic.oup.com/screen/artic...
Reposted by Georgie Carr
This looks like a good article - looking forward to reading it, thank you :)
My article—Coercive cinema: police film in schools, 1966–75—has been published in SCREEN.
I argue for a greater focus on both the ideological power of the police and the coercive affordances of cinema.
academic.oup.com/screen/artic...
I argue for a greater focus on both the ideological power of the police and the coercive affordances of cinema.
academic.oup.com/screen/artic...
Coercive cinema: police film in schools, 1966–75
Screen studies theorists have long maintained that the cinematic apparatus is geared towards the production of consent.1 But such a focus can risk developi
academic.oup.com
July 2, 2025 at 3:12 PM
This looks like a good article - looking forward to reading it, thank you :)
My article—Coercive cinema: police film in schools, 1966–75—has been published in SCREEN.
I argue for a greater focus on both the ideological power of the police and the coercive affordances of cinema.
academic.oup.com/screen/artic...
I argue for a greater focus on both the ideological power of the police and the coercive affordances of cinema.
academic.oup.com/screen/artic...
Coercive cinema: police film in schools, 1966–75
Screen studies theorists have long maintained that the cinematic apparatus is geared towards the production of consent.1 But such a focus can risk developi
academic.oup.com
July 2, 2025 at 2:32 PM
My article—Coercive cinema: police film in schools, 1966–75—has been published in SCREEN.
I argue for a greater focus on both the ideological power of the police and the coercive affordances of cinema.
academic.oup.com/screen/artic...
I argue for a greater focus on both the ideological power of the police and the coercive affordances of cinema.
academic.oup.com/screen/artic...