Dana Margolin performs an exorcism on a relationship whose light burned briefly but brightly. We run the emotional gamut here, with hurt, anger and denial turned up to 11, before rebuilding in the cathartic Sick of the Blues.
Dana Margolin performs an exorcism on a relationship whose light burned briefly but brightly. We run the emotional gamut here, with hurt, anger and denial turned up to 11, before rebuilding in the cathartic Sick of the Blues.
The fear and confusion of this record echoes with the grown-up-too-fast energy of a songwriter who had her early twenties bulldozed by the pandemic. Vu sounds both wise beyond her years and numb with despair at the time ticking away - and somehow makes it sing-along-able.
The fear and confusion of this record echoes with the grown-up-too-fast energy of a songwriter who had her early twenties bulldozed by the pandemic. Vu sounds both wise beyond her years and numb with despair at the time ticking away - and somehow makes it sing-along-able.
Grief follows Sophie Allison everywhere in this superb fourth album, but it's not a record about raw anguish. What sticks with me is how it shows grief as a gentle companion, as randomly reoccurring reminders of love, but it also has time for great rockers like Driver.
Grief follows Sophie Allison everywhere in this superb fourth album, but it's not a record about raw anguish. What sticks with me is how it shows grief as a gentle companion, as randomly reoccurring reminders of love, but it also has time for great rockers like Driver.
Light, Dark, Light Again is one of my favourite records of 2023 and this is a very worthy companion piece to it. Aussie indie-rocker McMahon reflects on healing with the awareness and gravitas of someone who's really studied it. I particularly adore Untangling.
Light, Dark, Light Again is one of my favourite records of 2023 and this is a very worthy companion piece to it. Aussie indie-rocker McMahon reflects on healing with the awareness and gravitas of someone who's really studied it. I particularly adore Untangling.
Few have as emotionally unguarded a vocal delivery as Samuel Herring, so the story of his long-distance relationship fraying and breaking is raw and painful. This isn't new ground for Future Islands but they are masters of their synth-pop craft.
Few have as emotionally unguarded a vocal delivery as Samuel Herring, so the story of his long-distance relationship fraying and breaking is raw and painful. This isn't new ground for Future Islands but they are masters of their synth-pop craft.
A supremely gloomy bum-out album. Hackman really captures how romantic frustration, creative burnout and general malaise can feel like an inescapable morass. No Caffeine, casting anxiety as an abusive partner, is easily one of the five best songs I heard this year.
A supremely gloomy bum-out album. Hackman really captures how romantic frustration, creative burnout and general malaise can feel like an inescapable morass. No Caffeine, casting anxiety as an abusive partner, is easily one of the five best songs I heard this year.
Absolutely gorgeous indie-pop that's wry and charming without ever falling onto the wrong side of the twee line. Despite the sweetness of the music, Tracyanne Campbell's lyrics don't sugarcoat heavy topics like ageing and grief.
Absolutely gorgeous indie-pop that's wry and charming without ever falling onto the wrong side of the twee line. Despite the sweetness of the music, Tracyanne Campbell's lyrics don't sugarcoat heavy topics like ageing and grief.
I knew I liked mxmtoon a decent bit but was still surprised by how strongly I responded to this album. It heavily draws on her struggles with her relationship with and obligations to her family, with her sweet folk-pop sound belying lots of frustration and anger.
I knew I liked mxmtoon a decent bit but was still surprised by how strongly I responded to this album. It heavily draws on her struggles with her relationship with and obligations to her family, with her sweet folk-pop sound belying lots of frustration and anger.
2024's premier album telling tales of sadsacks (sorry, MJ Lenderman). Hutson's poetic eye for character is superb, offering another great collection of Elliott Smith-esque postcards from weirdos, losers & broken people. Sad indie-folk enjoyers must try.
2024's premier album telling tales of sadsacks (sorry, MJ Lenderman). Hutson's poetic eye for character is superb, offering another great collection of Elliott Smith-esque postcards from weirdos, losers & broken people. Sad indie-folk enjoyers must try.
This fascinating post-punk group's most interesting album yet. The sludgy production reminds me of early Let's Eat Grandma and is a weirdly perfect match for its theme of standing in the emotional mud with your friends so they know they're not facing it alone.
This fascinating post-punk group's most interesting album yet. The sludgy production reminds me of early Let's Eat Grandma and is a weirdly perfect match for its theme of standing in the emotional mud with your friends so they know they're not facing it alone.
I'd meant to pay more attention to this electronic pop eccentric for years and was rewarded well for doing so. This record is just a ton of fun, from the slightly swampy dance energy of the title track to the earwormy Soft Boy to moody, trance-y closer God 1.9.
I'd meant to pay more attention to this electronic pop eccentric for years and was rewarded well for doing so. This record is just a ton of fun, from the slightly swampy dance energy of the title track to the earwormy Soft Boy to moody, trance-y closer God 1.9.
My favourite Middle Kids record so far. Peppy, poppy alt-rock that pushes the throttle on the guitars on bangers like Highlands and Terrible News but also does gentle sincerity really well (Bootleg Firecracker, All in My Head).
My favourite Middle Kids record so far. Peppy, poppy alt-rock that pushes the throttle on the guitars on bangers like Highlands and Terrible News but also does gentle sincerity really well (Bootleg Firecracker, All in My Head).
This won't dazzle you with lyricism or instrumental invention. A few songs pass me by. But much of it is just gently gorgeous, watch-the-world-go-by-through-the-window soft-rock that quietly lodges itself in your head and stays there. A comfort listen for me all year.
This won't dazzle you with lyricism or instrumental invention. A few songs pass me by. But much of it is just gently gorgeous, watch-the-world-go-by-through-the-window soft-rock that quietly lodges itself in your head and stays there. A comfort listen for me all year.
Moreishly quirky indie-pop that I returned to all year. From Hang in There's arm around the shoulder of a friend abused by a shitty man to the title track's building strings, it's a record that beckons you close to whisper secrets that sound like they're just for you.
Moreishly quirky indie-pop that I returned to all year. From Hang in There's arm around the shoulder of a friend abused by a shitty man to the title track's building strings, it's a record that beckons you close to whisper secrets that sound like they're just for you.
Full of clever wordplay and lived-in authenticity, an album of anthems for wearying elder millennials that feels like it walks the walk on its collectivist convictions. My biggest complaint is that its best tracks all sort of sound the same, but it's a good sound.
Full of clever wordplay and lived-in authenticity, an album of anthems for wearying elder millennials that feels like it walks the walk on its collectivist convictions. My biggest complaint is that its best tracks all sort of sound the same, but it's a good sound.
It took a few tries for this to click for me, but then it really did. Though her voice is an acquired taste, Webster captures idle thoughts masterfully, creating an atmosphere of comfortable infatuation with some delightful piano and guitar refrains.
It took a few tries for this to click for me, but then it really did. Though her voice is an acquired taste, Webster captures idle thoughts masterfully, creating an atmosphere of comfortable infatuation with some delightful piano and guitar refrains.