I've only heard Grouper on a 2011 comp raising money after the 2011 Christchurch earthquake, a plaintive guitar track recorded in the city's cathedral. It seems the cottage where Liz Kelly recorded Ruins similarly adds warmth to her vocals and piano.
I've only heard Grouper on a 2011 comp raising money after the 2011 Christchurch earthquake, a plaintive guitar track recorded in the city's cathedral. It seems the cottage where Liz Kelly recorded Ruins similarly adds warmth to her vocals and piano.
Barwick gets one of the better Pitchfork write-ups which describes how her layers of wordless vocals form whispy patterns. The other instruments adds solidity in the fog. No tracks are the same - there is a lot going on in the mists.
Barwick gets one of the better Pitchfork write-ups which describes how her layers of wordless vocals form whispy patterns. The other instruments adds solidity in the fog. No tracks are the same - there is a lot going on in the mists.