Star of da Show, baby
@friedbakedfish.bsky.social
She/Her | 22 | Raccoon on the Internet | JRPG Fiend | Bullet Hell Enjoyer | Sociology Student | Least Neurotic Drakengard Fan | icon by gaybandaids.bsky.social
Ended up at a party in college around the time the FNAF movie came out, and it was all anyone was talking about.
It hit the mainstream cultural consciousness hard
It hit the mainstream cultural consciousness hard
December 4, 2025 at 6:16 PM
Ended up at a party in college around the time the FNAF movie came out, and it was all anyone was talking about.
It hit the mainstream cultural consciousness hard
It hit the mainstream cultural consciousness hard
I’m planning on replaying it for personal reasons, and the bamboo shot for unfocused and needles for everything else usually feels like a pretty safe bet.
December 4, 2025 at 6:17 AM
I’m planning on replaying it for personal reasons, and the bamboo shot for unfocused and needles for everything else usually feels like a pretty safe bet.
What stone combo do you use?
December 4, 2025 at 3:41 AM
What stone combo do you use?
That would be Takuzo Nagano! He didn’t work on every game from what I understand, but you are correct in that he worked on Layton as well.
He also did a fair amount of work on Yokai Watch
He also did a fair amount of work on Yokai Watch
December 2, 2025 at 8:40 PM
That would be Takuzo Nagano! He didn’t work on every game from what I understand, but you are correct in that he worked on Layton as well.
He also did a fair amount of work on Yokai Watch
He also did a fair amount of work on Yokai Watch
-because of the sense that they are made of real places and real things.
Fossilized Wonders texturework is... fine. I don't like it, but it works.
But, there is no sense of place, no sense of purpose, no sense of the almost collage-esque arrangement the games before had.
It's disheartening.
Fossilized Wonders texturework is... fine. I don't like it, but it works.
But, there is no sense of place, no sense of purpose, no sense of the almost collage-esque arrangement the games before had.
It's disheartening.
December 2, 2025 at 12:59 AM
-because of the sense that they are made of real places and real things.
Fossilized Wonders texturework is... fine. I don't like it, but it works.
But, there is no sense of place, no sense of purpose, no sense of the almost collage-esque arrangement the games before had.
It's disheartening.
Fossilized Wonders texturework is... fine. I don't like it, but it works.
But, there is no sense of place, no sense of purpose, no sense of the almost collage-esque arrangement the games before had.
It's disheartening.
I guess, in a way that identity has always been that the games have always had a visual identity rooted in usage of photography and a keen sense of framing.
Despite the lower visual fidelity of its backgrounds compared to other games, the backgrounds have always been visually captivating-
Despite the lower visual fidelity of its backgrounds compared to other games, the backgrounds have always been visually captivating-
December 2, 2025 at 12:59 AM
I guess, in a way that identity has always been that the games have always had a visual identity rooted in usage of photography and a keen sense of framing.
Despite the lower visual fidelity of its backgrounds compared to other games, the backgrounds have always been visually captivating-
Despite the lower visual fidelity of its backgrounds compared to other games, the backgrounds have always been visually captivating-
The wolf tribe was handing them out for free
December 1, 2025 at 11:53 PM
The wolf tribe was handing them out for free
Yes, I get that he is only making textures and then using them the same way that he used stock photos, but it feels so cheap and careless.
The appearance of LOLK's Sea of Tranquility in stage 5 feels like a slap to the face after how much of the game's texture work lacks the series' identity.
The appearance of LOLK's Sea of Tranquility in stage 5 feels like a slap to the face after how much of the game's texture work lacks the series' identity.
December 1, 2025 at 11:51 PM
Yes, I get that he is only making textures and then using them the same way that he used stock photos, but it feels so cheap and careless.
The appearance of LOLK's Sea of Tranquility in stage 5 feels like a slap to the face after how much of the game's texture work lacks the series' identity.
The appearance of LOLK's Sea of Tranquility in stage 5 feels like a slap to the face after how much of the game's texture work lacks the series' identity.
The composition, the scale, the usage of negative space, the sense of place, all of it in service of some of the most well-composed stage backgrounds in any STG series.
It's so disheartening to see the construction material of stock and royalty free images be used this well, and then disregarded.
It's so disheartening to see the construction material of stock and royalty free images be used this well, and then disregarded.
December 1, 2025 at 11:51 PM
The composition, the scale, the usage of negative space, the sense of place, all of it in service of some of the most well-composed stage backgrounds in any STG series.
It's so disheartening to see the construction material of stock and royalty free images be used this well, and then disregarded.
It's so disheartening to see the construction material of stock and royalty free images be used this well, and then disregarded.
I have been thinking a lot about Touhou backgrounds following the ZUN interview about why he used AI in 20. It makes me angry in a way that is really hard to articulate.
I couldn't help but remember just how many of the stage backgrounds in the series are genuinely breathtaking.
I couldn't help but remember just how many of the stage backgrounds in the series are genuinely breathtaking.
December 1, 2025 at 11:51 PM
I have been thinking a lot about Touhou backgrounds following the ZUN interview about why he used AI in 20. It makes me angry in a way that is really hard to articulate.
I couldn't help but remember just how many of the stage backgrounds in the series are genuinely breathtaking.
I couldn't help but remember just how many of the stage backgrounds in the series are genuinely breathtaking.