Professor 19-20C French Art| author of Édouard Vuillard, the Nabis, and the Politics of Domesticity (2025)| MY VIEWS| Arsenal ♥️🤍
https://www.birmingham.ac.uk/staff/profiles/historyofart/berry-francesca
I am incredibly grateful to the 4 reviewers whose lovely comments grace the back cover.😊
🧵1/5
📕 Édouard Vuillard, the Nabis, and the Politics of Domesticity is in print (and ebook) with @bloomsburyacad.bsky.social
It looks gorgeous. It feels chunky. I couldn’t be happier! 😊
staff.
The dismantling of language teaching in UK schools & unis is a disgrace.
Detrimental also to other teaching & research disciplines for which foreign languages are key skills. There’s more to life and research than the Anglophonic.
staff.
The dismantling of language teaching in UK schools & unis is a disgrace.
Detrimental also to other teaching & research disciplines for which foreign languages are key skills. There’s more to life and research than the Anglophonic.
I am very interested to hear from prospective research students wishing to work in the fields of:
www.birmingham.ac.uk/study/schola...
I am very interested to hear from prospective research students wishing to work in the fields of:
www.birmingham.ac.uk/study/schola...
Francisco Goya’s caption to Plate 43, The Sleep of Reason Produces Monsters from Los Caprichos, 1799, etching, aquatint, drypoint, and burin. 🦇🦉🐈⬛
Francisco Goya’s caption to Plate 43, The Sleep of Reason Produces Monsters from Los Caprichos, 1799, etching, aquatint, drypoint, and burin. 🦇🦉🐈⬛
Robert Malley on the pod
podcasts.apple.com/gb/podcast/t...
Robert Malley on the pod
podcasts.apple.com/gb/podcast/t...
Also, I have refused to license my recent book for LLM training (but know my research has/is being plagiarised).
Also, I have refused to license my recent book for LLM training (but know my research has/is being plagiarised).
A photo from a trip in September to see the Impressions Nabies exhibition in Paris.
PIERRE BONNARD, L'Enfant à la lampe. Planche destinée au troisième album d'estampes originales de la galerie Vollard (non publié), 1897. Lithographie en couleurs. BnF.
A photo from a trip in September to see the Impressions Nabies exhibition in Paris.
PIERRE BONNARD, L'Enfant à la lampe. Planche destinée au troisième album d'estampes originales de la galerie Vollard (non publié), 1897. Lithographie en couleurs. BnF.
www.eventbrite.co.uk/e/history-of...
www.eventbrite.co.uk/e/history-of...
Please do come along. Free tickets, but register in advance
www.eventbrite.co.uk/e/songs-of-s...
Please do come along. Free tickets, but register in advance
www.eventbrite.co.uk/e/songs-of-s...
L: the proof; R: the published print.
L: the proof; R: the published print.
British politics is stuck in a post-Brexit doom loop, addicted to spectacle politics and unable to engage with its actual problems: the sclerotic post-GFC economy that has seen real wages stagnate and increasing inability of government to invest in public services.
British politics is stuck in a post-Brexit doom loop, addicted to spectacle politics and unable to engage with its actual problems: the sclerotic post-GFC economy that has seen real wages stagnate and increasing inability of government to invest in public services.