Cafe Flesh (dir. Stephen Sadayian; 1982)
post-human performance art erotica, damn near the most outrageous//gorgeous otherworld freak transmission we’ve seen so far this year.
real life is still catching up to visions as wild as this (and probably always will be)
post-human performance art erotica, damn near the most outrageous//gorgeous otherworld freak transmission we’ve seen so far this year.
real life is still catching up to visions as wild as this (and probably always will be)
April 8, 2025 at 12:42 AM
Cafe Flesh (dir. Stephen Sadayian; 1982)
post-human performance art erotica, damn near the most outrageous//gorgeous otherworld freak transmission we’ve seen so far this year.
real life is still catching up to visions as wild as this (and probably always will be)
post-human performance art erotica, damn near the most outrageous//gorgeous otherworld freak transmission we’ve seen so far this year.
real life is still catching up to visions as wild as this (and probably always will be)
luv getting film back because sometimes it reminds me that I’m breathing even when it doesn’t always feel that way
anyways,
keepin those eyes open for now
anyways,
keepin those eyes open for now
April 1, 2025 at 1:21 AM
luv getting film back because sometimes it reminds me that I’m breathing even when it doesn’t always feel that way
anyways,
keepin those eyes open for now
anyways,
keepin those eyes open for now
positively went OFF at the State Park this afternoon
February 27, 2025 at 12:02 AM
positively went OFF at the State Park this afternoon
winter sads hates to see the soft boy coming
February 20, 2025 at 3:10 PM
winter sads hates to see the soft boy coming
yesterday was a good day because we spent some time in the sun, also because we got our DJ Python - Mas Amable vinyl in the mail // and also because we watched Critters 2 after all of that
February 20, 2025 at 3:07 PM
yesterday was a good day because we spent some time in the sun, also because we got our DJ Python - Mas Amable vinyl in the mail // and also because we watched Critters 2 after all of that
Hukkle (2002; dir. Gyorgy Palfi)
synesthetic ASMR cinema; also a murder-mystery, albeit one that’s about as abstracted as they come and heavily features audio/visual texture over dialogue
like witnessing the birth of a new language; just front to back sublime
new 4K restoration looks incredible
synesthetic ASMR cinema; also a murder-mystery, albeit one that’s about as abstracted as they come and heavily features audio/visual texture over dialogue
like witnessing the birth of a new language; just front to back sublime
new 4K restoration looks incredible
February 7, 2025 at 12:46 AM
Hukkle (2002; dir. Gyorgy Palfi)
synesthetic ASMR cinema; also a murder-mystery, albeit one that’s about as abstracted as they come and heavily features audio/visual texture over dialogue
like witnessing the birth of a new language; just front to back sublime
new 4K restoration looks incredible
synesthetic ASMR cinema; also a murder-mystery, albeit one that’s about as abstracted as they come and heavily features audio/visual texture over dialogue
like witnessing the birth of a new language; just front to back sublime
new 4K restoration looks incredible
sun goes down again // face goes numb again // I get warm again // melt it all off again
((w/ dear friend Harry))
((w/ dear friend Harry))
February 5, 2025 at 11:16 PM
sun goes down again // face goes numb again // I get warm again // melt it all off again
((w/ dear friend Harry))
((w/ dear friend Harry))
two lights on a Tuesday // sun feels good // hang in there cause I luv ya
February 4, 2025 at 10:37 PM
two lights on a Tuesday // sun feels good // hang in there cause I luv ya
Slowdive wall of sound // no Prayer Remembered, so I didn’t cry, but that’s fine // grateful to be well outside of any townie phase I might’ve had // portland bars are objectively depressing regardless of time ov year
February 2, 2025 at 1:04 PM
Slowdive wall of sound // no Prayer Remembered, so I didn’t cry, but that’s fine // grateful to be well outside of any townie phase I might’ve had // portland bars are objectively depressing regardless of time ov year
pov: pregaming before the shoegaze concert
February 2, 2025 at 12:16 AM
pov: pregaming before the shoegaze concert
Perfect Days (2023; dir. Wim Wenders)
one of my favorite films of its year, the kind that slowly mutates in front of you in gorgeously understated ways
an ode to embracing the full spectrum of the emotional human experience, to silence and slowness.
love it so much // makes me ugly cry
one of my favorite films of its year, the kind that slowly mutates in front of you in gorgeously understated ways
an ode to embracing the full spectrum of the emotional human experience, to silence and slowness.
love it so much // makes me ugly cry
January 30, 2025 at 8:59 PM
Perfect Days (2023; dir. Wim Wenders)
one of my favorite films of its year, the kind that slowly mutates in front of you in gorgeously understated ways
an ode to embracing the full spectrum of the emotional human experience, to silence and slowness.
love it so much // makes me ugly cry
one of my favorite films of its year, the kind that slowly mutates in front of you in gorgeously understated ways
an ode to embracing the full spectrum of the emotional human experience, to silence and slowness.
love it so much // makes me ugly cry
feeling afterglow, will not be deleting later
January 30, 2025 at 5:42 PM
feeling afterglow, will not be deleting later
Mads (2024; dir. David Moreau)
exhilarating “one-take” zombie (pre) apocalypse jam, extremely French and sort of like if Gaspar Noe directed a pure genre exercise
immersive without feeling pretentious and features a trio of totally feral performances that anchor the sheer animalism of the trip
exhilarating “one-take” zombie (pre) apocalypse jam, extremely French and sort of like if Gaspar Noe directed a pure genre exercise
immersive without feeling pretentious and features a trio of totally feral performances that anchor the sheer animalism of the trip
January 29, 2025 at 2:34 PM
Mads (2024; dir. David Moreau)
exhilarating “one-take” zombie (pre) apocalypse jam, extremely French and sort of like if Gaspar Noe directed a pure genre exercise
immersive without feeling pretentious and features a trio of totally feral performances that anchor the sheer animalism of the trip
exhilarating “one-take” zombie (pre) apocalypse jam, extremely French and sort of like if Gaspar Noe directed a pure genre exercise
immersive without feeling pretentious and features a trio of totally feral performances that anchor the sheer animalism of the trip
low tide is the best tide // easier to have luv for texture but sometimes people are kinda like that too
January 29, 2025 at 2:29 PM
low tide is the best tide // easier to have luv for texture but sometimes people are kinda like that too
nice & breezy sunset walk with my pal Shannon 🫠
probably go to the beach more in the wintertime than in the summer // love the quiet // love the skeletal slowness /// few things hit like getting warm again after your face starts going numb
probably go to the beach more in the wintertime than in the summer // love the quiet // love the skeletal slowness /// few things hit like getting warm again after your face starts going numb
January 28, 2025 at 4:16 AM
nice & breezy sunset walk with my pal Shannon 🫠
probably go to the beach more in the wintertime than in the summer // love the quiet // love the skeletal slowness /// few things hit like getting warm again after your face starts going numb
probably go to the beach more in the wintertime than in the summer // love the quiet // love the skeletal slowness /// few things hit like getting warm again after your face starts going numb
Falcon Lake (2022; dir. Charlotte Le Bon)
wildly confident debut, a coming of age story with the unsanded edges of creeping supernatural horror
feels like floating down a shimmery river in midsummer; love when a movie feels sorta lyrical in form, which this Dronecore Drama surely does
wildly confident debut, a coming of age story with the unsanded edges of creeping supernatural horror
feels like floating down a shimmery river in midsummer; love when a movie feels sorta lyrical in form, which this Dronecore Drama surely does
January 25, 2025 at 1:45 AM
Falcon Lake (2022; dir. Charlotte Le Bon)
wildly confident debut, a coming of age story with the unsanded edges of creeping supernatural horror
feels like floating down a shimmery river in midsummer; love when a movie feels sorta lyrical in form, which this Dronecore Drama surely does
wildly confident debut, a coming of age story with the unsanded edges of creeping supernatural horror
feels like floating down a shimmery river in midsummer; love when a movie feels sorta lyrical in form, which this Dronecore Drama surely does
i’ve looked like * this * for close to a decade
January 23, 2025 at 2:58 PM
i’ve looked like * this * for close to a decade
putting my slimiest visions thru Jason’s (aka Dirt Lux) computer last night.
afterwards we went out dancing // afterwards, afterwards we watched a Caribou boiler room set with my cat
afterwards we went out dancing // afterwards, afterwards we watched a Caribou boiler room set with my cat
January 23, 2025 at 2:55 PM
putting my slimiest visions thru Jason’s (aka Dirt Lux) computer last night.
afterwards we went out dancing // afterwards, afterwards we watched a Caribou boiler room set with my cat
afterwards we went out dancing // afterwards, afterwards we watched a Caribou boiler room set with my cat