perfection 😂

Of course synthesizing the scatter is doable, and done. The realness of the musicians is more palpable through the arrangement. Like how you can tell when composers understand the physicality of the parts they write for voice, or winds, or strings. Mechanical smoothness is a limiting aesthetic.

I loved the RPWP album because the instrumentals feel more live, more haphazard, messily interactive. Even the claps are a bunch of people in a room instead of staggered layers of tracks. Kind of amazing how the difference is perceivable and enjoyable.

The interactive part was also good for building shared understanding with visitors who hadn't considered these aspects of how audiences act "together".

i need to rework that exposure dimension. Its trying to capture both the amount of people affected by one audience members actions and the medium of transmission.

i have so many questions for these measurements and no time to look 😅