First heard them when their NPR Tiny Desk went a bit viral.
So it was a nice surprise seeing the Coachella set which had a much bigger sound. Really enjoyed it.

Curious about the conversion processes!

Torn between A and C.

Prefer the contrast range in C slightly, but my guess is that it’s the least accurate due to the left sided light panel emission leaning more blue (less blue / purple) than the other three.

👀
Woah! That’s looking real nice!

you make a good point

Oh, all those layer goodies aside, those camera and lighting ones seem very useful. 🙌🏽

🤜🤛

It’s funny, bc I’ve reached the point in my AE workflows where a lot of 3D / exr sequences are involved and collect files often break over a network drive eg. generate bogus image frames on copy. So I end up manually collecting and relinking certain assets. Still organized as heck tho! 😂

Not trying to excuse the basics of being able to collect a project, which should be just as common in a remote workflow… unless you’ve only had to deliver outputs. But I can see now more than ever that there’s a whole crop of mograph folks who came of age under very different circumstances.