Felicity Plunkett
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felicity-plunkett.bsky.social
Felicity Plunkett
@felicity-plunkett.bsky.social
she / her

Poet, critic, editor

Poetry Editor, Australian Book Review

Vanishing Point, A Kinder Sea, Seastrands, Thirty Australian Poets (ed.)
I will listen to this immediately. And same for me, with PJ. It was one of the best gigs I’ve been to (and I have been to / reviewed / etc) a vast number! I’d also count Dirty 3 gigs in the early days — Newtown pubs, a handful of people listening — among them. Here’s Polly…
November 16, 2025 at 4:08 AM
I love this description, Gordon. Here’s a (far less wonderful!) shot of Mick’s set at the Sydney Opera House forecourt in March, supporting PJ Harvey. He was superb. Guessing you’re a Dirty 3 fan / attender-of-gigs-for-decades, like me?
November 15, 2025 at 10:47 PM
I am no older in the night now than I was when a child; ghosts pepper shadows unevenly.

excerpt from ‘Old Ghost Dogs’ by Birri-Gubba and Mununjali poet Samuel Wagan Watson

portrait 📷 by Helen Kassila
November 8, 2025 at 2:43 AM
Sylvia Plath, born 27th October, 1932
October 27, 2025 at 8:28 AM
Thanks, Eileen. Took this for you today. Magnolia update 💗
July 25, 2025 at 7:55 AM
Newtown rainbow

Gadigal country
May 10, 2025 at 11:58 PM
Oh! That needs editing. Meanwhile, a Dobson poem in ABR this month.
May 10, 2025 at 10:24 PM
Shizuka Omori, translated by Yuki Tanaka, in The Poetry Review @poetrysociety.bsky.social
May 5, 2025 at 9:06 AM
‘the chalky children of evermore’

~ P.J. Harvey
March 10, 2025 at 8:02 AM
My review of @eileenchongpoet.bsky.social’s superb new poetry collection, We Speak of Flowers:

www.australianbookreview.com.au/abr-online/c...
March 10, 2025 at 5:58 AM
‘the indefatigable hoof-taps’

Sylvia Plath, ‘Words’

27.10.32 — 11.2.63
February 10, 2025 at 10:42 PM
Loved this for its looping, layered narrative, its London-walking and what it says about exile and friendship
#hishammatar
#myfriends
January 31, 2025 at 6:54 AM
Yuko Tsushima’s Territory of Light (1978, trans. Geraldine Harcourt, 2018) is striking for its enclosed, inward connected stories (a fractured novella?), its anticipation of autofiction and what it captures about being a single mother (rarely depicted, at least with much insight).
December 27, 2024 at 1:14 AM
Morning heart-light, for anyone who needs it ✨
December 23, 2024 at 10:42 PM
Respect for the tenacity and focus of this rainbow lorikeet 🦜
December 19, 2024 at 6:00 AM
This year’s Best of Australian Poems is a superb anthology, edited by luminaries Kate Lilley and @shastradeo.bsky.social. I’m very happy my poem ‘Tender’ is part of it, and in such good company.
December 17, 2024 at 1:58 AM
Who knew flowers had a voice?

Ali Smith, How to Be Both

(On D’harawal Country)
December 8, 2024 at 10:51 PM
Quiet rainbow (especially for @stuartabarnes.bsky.social 🌈❤️)
December 4, 2024 at 6:00 AM
Echidna, on D’harawal country — filmed from a respectful distance
November 23, 2024 at 6:32 AM
Terning

(and please let me know if you know what they are, if not terns!)
November 23, 2024 at 12:40 AM
Beautiful D’harawal Country
November 21, 2024 at 5:25 AM
Even flying
is born

out of nothing.

Li-Young Lee, ‘One Heart’
November 19, 2024 at 10:22 PM
I think of these people as my blue correspondents, whose job it is to send me blue reports from the field.

Maggie Nelson, Bluets (15)
November 17, 2024 at 5:16 AM
Tacita Dean, LA Magic Hour #3, 2021. Hand-drawn, multi-colour blend lithograph
November 15, 2024 at 10:34 AM
Sightings, flashes, hints: // A proud tree in vivid sun, branches / Swaying in strong wind. Rain / Hurling itself at the roof.

Tracy K Smith, ‘The Angels’
September 26, 2023 at 1:34 AM