📯We're looking for a new colleague in #musicology in Würzburg (tenured full professorship, W3)! While the call is in German only, international candidates are highly encouraged to apply. Do not hesitate to reach out! 📆 **October 15, 2025**. See: www.phil.uni-wuerzburg.de/fileadmin/04...

This semester, students in my course on Digital Representations of Music and Notation Software had the opportunity to visit our university's Retro Computing Lab, led by Torsten Roeder. It was great fun trying to notate some music on still working C64s. 🎹🤖 #musicscience

This week, I was so happy about our first in-person team meeting at @uni-wuerzburg.de's Zentrum für Philologie und Digitalität that I grew a shadow antenna out of my head! Always looking out for new connections apparently ;-)

Today I had the great pleasure to welcome our new postdoc Mauro Orsini Windholz to our team at @uni-wuerzburg.de ! We will continue working on the computational analysis of Brazilian choro. 🇧🇷🎼

🌟 Excited to host an #EarlyMuse STSM at the Institut für Musikforschung, University of Würzburg!
Join us to explore digital editions, analysis, and archives of medieval monophony. Hands-on collaboration awaits!
Details & application: bit.ly/3Z2RgNk
#MedievalMusic #DigitalMusicology #EarlyMusic

I feel honored to be one of the 7 speakers of this year's Science Slam at Würzburg University. I'll be talking about "Music and Maths: How do these two fit together?" (in German, though). If you happen to be in Würzburg on 8 November, feel free to show up: www.uni-wuerzburg.de/alumni/aktue...

Very proud that my PhD students
@timeipert @HofmannLucasDH
& Adrian Nachtwey's presentations were met with great interest at #GfM2024
@musikforschung last week in Cologne! The future is bright
@Uni_WUE! #musicology #digitalhumanities

Yesterday, I had the honor to speak to the current cohort of PhD students at Uni Würzburg's graduate schools. Thanks for your inspiring questions! Photo credit: Lucas Hofmann

We introduce Fourier Qualia Wavescapes, a new analytical method for set class ambiguity based on the DFT #mcm24 #musicscience #musictheory link.springer.com/chapter/10.1...

It was a great pleasure yesterday to talk about #AI, the #digitalhumanities, and #musicology @ACDH_OeAW in beautiful Vienna.

Incidentally, this is maybe the most simplistic slide I ever produced 😅

How did composers' use of intervals change over time? In our new study in @HSScomms we employ a #Bayesian model of tonal space to study major trajectories in classical #music. @Uni_WUE @durham_uni @epfldh
www.nature.com/articles/s41... #musicscience #musictheory #culturalevolution

I'm very excited! Thanks to generous seed funding by
@bayfor.bsky.social I'll be leaving for Rio de Janeiro tomorrow for my project "Digital Choro: Exploring the potential of digitization & computational models for #Brazil's musical #culturalheritage"

Paper : "Historical Changes of Modes and their Substructure Modeled as Pitch Distributions in #Plainchant from the 1100s to the 1500s" with Eita Nakamura and Tim Eipert presented yesterday at #cmmr_2023 #musicscience #digitalhumanities
@CompHumResearch fabian-moss.de/publication/...

Tim Eipert (@uniwue) at #DLfM23 presenting our poster "Communities in Medieval Trooper Networks are Shaped by Carolingian Politics" #musicscience #digitalhumanities

Yesterday @AnaLlorens8 opened our lecture series on Computational and Digital Approaches to Music Scholarship (CODAMUS) with a fantastic talk on "Quantifying Recorded Sound" in Pau Casals' celloperformances. @Uni_WUE
codamus.pubpub.org/pub/2023-llo... #digitalhumanities #musicscience

Pls 🔄: 🗓️ Only two more weeks until the beginning of our exciting lecture series at Würzburg University and our poster is making appearances all over the city! Talks will be recorded an published here codamus.pubpub.org in case you can't attend in person! #musicscience #digitalhumanities #dh