🙌 The Blair Witch Project is such an incredible film.
It shows how a powerful idea and smart execution can create something unforgettable without the need for a massive budget or studio backing.

Haha 😅 Love it 😜🥵 Hard work, but I really enjoy it. Gotta be the kind of person who loves to fiddle …. For days 😜

Full on campaign for Camel Active, a Germany fashion brand 🧥🧳
From syncing rushes, main films, cutdowns, sfx, music, gfx, text, teasers..
Then conform grades, delivering all masters and versioned exports 🚚🧱😵
🥵 Many days of deep focus compressed into one video ⏳💤☠️😴 #editlife #Timelinetuesday

Something’s missing in the process, the human momentum maybe.

Really not a hater at all. Great tools!
Use em all the time.

But part of your workflow, not the workflow.

Wow amazing game. Coco was soo fast and focused. With a great speech by Sabalenka 🙏 Greta sportsmanship.

Officially rolling 🥳🎬
We’ll be dropping all the BTS: pre-prod chaos, data wrangling, edit setups, color workflow… all the way to timeline lock. 🎞️🛠️
#indiefilmmaking #postproduction

We’re running 2x 8TB drives:

💾 1 for working media
🛡️ 1 for scheduled backups (Carbon Copy Cloner or Time Machine)

Always have a clone. Always.
Indie film = tight timelines, zero room for disaster recovery 😬💥
I then Also make another copy on my raid

🎥 We’re shooting ProRes RAW and converting to CinemaDNG for Resolve — keeping the raw metadata but way more manageable in post.
Using Assimilate Play Pro for conversion… absolute great app 💎Most apps make you pay per camera license… Play Pro just works. Canon, Sony, Nikon, whateve. 🎬📷✨

🎥🤓 If you geek out on blocking, oners, precision chaos…. like Children of Men or Birdman, you’ll love this 🙌
It’s funny, stressful, and so well-executed.
One of the best TV episodes for me this year.

#productionlife #thestudio #theoner

🎨 The color grade deserves a mention too. Crazy strange, uneasy magenta that subtly reinforces the off-kilter tension of being on set as everything spirals out of control.
It’s bold, unnatural, and intentional.
You feel the stress in every frame, even before things go wrong.

It’s not just a stylistic flex… the one-take is essential to the storytelling.
Adds to the tension.
The camera navigates a real, confined location with precise choreography, as cast and crew hit every invisible cue under real-time lighting pressure. Soo good hey.