We can announce that the winner of the 2025 Grand Final Audience Poll is Sweden, followed by Finland and Spain! Full details below:
@escxtra.bsky.social @12pointsusa.bsky.social @eurovoix.bsky.social @thateurosite.bsky.social
@vdan.design
We can announce that the winner of the 2025 Grand Final Audience Poll is Sweden, followed by Finland and Spain! Full details below:
@escxtra.bsky.social @12pointsusa.bsky.social @eurovoix.bsky.social @thateurosite.bsky.social
@vdan.design
BPM: 115
Pure theatre once again, but with a distinct chorus compared to last year. Think staging will be key (and lots promised) to see if this translates or is just...different.
Sounds like: Vanilla Ninja ( #eurovision 2005) for the new generation
BPM: 115
Pure theatre once again, but with a distinct chorus compared to last year. Think staging will be key (and lots promised) to see if this translates or is just...different.
Sounds like: Vanilla Ninja ( #eurovision 2005) for the new generation
BPM: 73
All acoustic guitar, but Vilhelm is forgetting to include any dynamics. The guitar drones on and this is completely forgettable after the three minutes are up. Shame.
Sounds like: He forgot the other instruments for the #melfest rock band.
BPM: 73
All acoustic guitar, but Vilhelm is forgetting to include any dynamics. The guitar drones on and this is completely forgettable after the three minutes are up. Shame.
Sounds like: He forgot the other instruments for the #melfest rock band.
BPM: 130
Sara is a little energy pocket and her diction and vocal annunciation is on point. Somewhat predictable country song but probably the most catchy of the season. This could be quite charming
Sounds like: Ain't No Good ( #melfest 2016) by Mimi Werner
BPM: 130
Sara is a little energy pocket and her diction and vocal annunciation is on point. Somewhat predictable country song but probably the most catchy of the season. This could be quite charming
Sounds like: Ain't No Good ( #melfest 2016) by Mimi Werner
BPM: 79 (arguably double by second chorus)
Futuristic musical theatre number, with a dreamy production but big big electronic drums from the second chorus, and the production overpowers the voice.
KEY CHANGE
Sounds like: The song might be a bit too big for Arwin.
BPM: 79 (arguably double by second chorus)
Futuristic musical theatre number, with a dreamy production but big big electronic drums from the second chorus, and the production overpowers the voice.
KEY CHANGE
Sounds like: The song might be a bit too big for Arwin.
BPM: 141
What a showtune! Classic vibes from the ABBA era with flirts of Arvingarna's recent competition entries. Tight harmonies and a bombastic ending. Love this!
Sounds like: A follow up to Michelangelo by Björn Skifs ( #melfest 1975)
BPM: 141
What a showtune! Classic vibes from the ABBA era with flirts of Arvingarna's recent competition entries. Tight harmonies and a bombastic ending. Love this!
Sounds like: A follow up to Michelangelo by Björn Skifs ( #melfest 1975)
Once more, I’m thirsty for the final songs, as each journalist hunts for those potential #Eurovision gems of the week’s six Melfest songs.
But first, some final thoughts on this year’s Melodifestivalen. 🧵👇
Once more, I’m thirsty for the final songs, as each journalist hunts for those potential #Eurovision gems of the week’s six Melfest songs.
But first, some final thoughts on this year’s Melodifestivalen. 🧵👇
BPM: 125
He delivered. An anthem that nods to #eurovision winner Heroes, great gravel in the voice on top of top drawer big notes. Very well written outro.
Some of you'll hate it (dated?), but juries won't.
Sounds like: Even more Lovers on the Sun than Heroes
BPM: 125
He delivered. An anthem that nods to #eurovision winner Heroes, great gravel in the voice on top of top drawer big notes. Very well written outro.
Some of you'll hate it (dated?), but juries won't.
Sounds like: Even more Lovers on the Sun than Heroes
BPM: 72
This is such a good girl anthem. AmenA's voice is so clear, free and gentle. OK hook, plods along nicely.
Sounds like: A palate-cleanser between the Finns and what comes next.
BPM: 72
This is such a good girl anthem. AmenA's voice is so clear, free and gentle. OK hook, plods along nicely.
Sounds like: A palate-cleanser between the Finns and what comes next.
BPM: 106
This is happy to make fun of itself, instruments (inc. accordion) take us east, and the melody goes all-in on the dark tango sound that is so stereotypically Finnish. KEY CHANGE
Sounds like: Edward af Sillen would commission this for an #eurovision interval act
BPM: 106
This is happy to make fun of itself, instruments (inc. accordion) take us east, and the melody goes all-in on the dark tango sound that is so stereotypically Finnish. KEY CHANGE
Sounds like: Edward af Sillen would commission this for an #eurovision interval act
BPM: 101
OK, some feelings are going to be expressed here, and it's not Jonas' or Tilda's fault. But why is this song in #melfest 25? Or, why do we need three country-flavoured songs this year that aren't offering any new?
Sounds like: Their previous entry was better.
BPM: 101
OK, some feelings are going to be expressed here, and it's not Jonas' or Tilda's fault. But why is this song in #melfest 25? Or, why do we need three country-flavoured songs this year that aren't offering any new?
Sounds like: Their previous entry was better.
BPM: 71
Very gentle and stripped-back. Lots of words packed into this but that's juxtaposed with a title refrain that flows nicely.
Not groundbreaking. Not radical. Just nice. Well done.
Sounds like: LOVAD's Allting är precis likadant from #melfest 21
BPM: 71
Very gentle and stripped-back. Lots of words packed into this but that's juxtaposed with a title refrain that flows nicely.
Not groundbreaking. Not radical. Just nice. Well done.
Sounds like: LOVAD's Allting är precis likadant from #melfest 21
BPM: 121
The bassline is jumping, and this will be a brill aerobics workout number. Wish the chorus popped more, but the Alcazar handclaps in post-chorus are a nice throwback. Spoken word bridge.
Sounds like: What Dizzy tried to achieve at #eurovision last year
BPM: 121
The bassline is jumping, and this will be a brill aerobics workout number. Wish the chorus popped more, but the Alcazar handclaps in post-chorus are a nice throwback. Spoken word bridge.
Sounds like: What Dizzy tried to achieve at #eurovision last year
Do any of you have any hope of #Melfest glory this year still?
Feel free to ask me any questions from now until 10:00 CET when the songs begin.
In 85 mins time we'll have heard the current Eurovision favourite...will he still be?
Do any of you have any hope of #Melfest glory this year still?
Feel free to ask me any questions from now until 10:00 CET when the songs begin.
In 85 mins time we'll have heard the current Eurovision favourite...will he still be?