* Culinary Gangsta: the self-confidence one must have to announce that as your title on T.V. is truly admirable.

* Frank: the voice of my people (i.e., those of us with no cooking ability) propagating our truth: "I've been cooking since I was young enough to read the box."

That's foreshadowing that really needed to be in some line of mandatory dialogue.

That said, what happened to the old JRPG spirit of examining every possible thing that you can interact with? Shame on you detractors who don't click on everything!

Also, as a U.S. citizen living through Pres. Trump Part 2, the woman saying she needs six eggs (only to be told it's too expensive) resonates with me.

(Full Review for context)

Phrased another way: this is why I'm not a professional #writer nor published.

5/5

So because the prologue is functionally separate from the rest of the story, I can use a third person narration (to distinguish itself from the first person voice) to sprinkle in all the foreshadowing and suspension of disbelief because I'm no longer restricted by first person limitations. 4/?

For example, one of my stories is written in first person. The narrator knows only so much and finds out as the story progresses. But given the nature of what she learns, it would come out of nowhere when viewed only through her point of view. 3/?

But because that's the only reason I'd ever use prologues, it makes me feel like a lazy writer. 2/?

Thank you for this. All my friends who saw it thought I was imaging things for pointing out some of the autotune/pitch-corrections.